Your Night at the Oscars - How well do you know America?

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For one night a year politics, war, the economy, poverty and health care are set aside as the nation joins the jet setters of Tinsel Town in Hollywood's annual demonstration of self-indulgence and fantasy, the 86th Academy Awards.

 

Just to put things into perspective for the many readers of the Coltons Point Times from outside the USA, please don't think there is anything about Hollywood and the Oscars that reflects on the typical quality of life in the USA.

 

 

Here in the colonies we are masters at embracing fantasy and the film industry is one of the very privilege classes reflecting it.  We don't have royalty but we do have several classes of aristocrats like stars in the motion picture industry, professional baseball, football and basketball players, the wizards of Wall Street, the nouveau rich and of course the old, rich bluebloods.  All told they are about 3% of the people.

 

Accumulating wealth is their playground and this is the one night they share it with us, I guess to thank us for spending billions of dollars on box office tickets, buying their movies on DVD, and watching them on the Telly.

 

 

As a group the movie industry is far to the left in politics, yet the general public long ago adopted the Mark Twain philosophy that, "everyone is entitled to their silly ideas."  Thus Republicans, Independents and centrist Democrats can overlook the Hollywood forays into social issues although the sight of someone stepping out of a Ferrari to condemn the government for allowing poverty is a little odd.

 

Like most other institutions in America that have been around since the 1928 stock market crash and ensuing Great Depression, the Oscars and the movie industry are in the process of huge changes.  Gone are the days that a handful of major studios and studio moguls hand-picked everything we saw in movie theatres from the scripts to directors to stars.

 

Any economic-based institution in America is subject to radical change when the economy changes, and then the greed of industries to squeeze the last buck out of the people will run it's course.

 

 

Once upon a time only major studio productions were nominated for Oscars.  This year, only three of the nine nominees for Best Picture came from major studios.  Truly the Independent production has overwhelmed Hollywood just as the Independent vote is taking over the political agenda.

 

When institutions stop taking risks and morph to the formula, standard, vanilla, risk adverse strategy, well they will cease to exist.  In America our music, television, motion picture and book industries are all on life support so Independent films may be the salvation of the industry.

 

 

Following is an outstanding overview of the penetration of Independent films written by John Horn of the Los Angeles Times.  It shows the extent the industry has changed to meet the demands of the public for creativity and innovation.

 

After that you will find my picks for the winners in the major categories and a list of nominees for all the significant categories.  I urge you to make your own selections.  My picks are without seeing a single, nominated movie.  Not only is it easier because I have no time to watch the dozens of movies nominated let alone I cannot afford to see them all, but it also gives me an excuse should I be wrong.

Los Angeles Times
   

Oscars 2014: Nominations — and snubs — attest to the strong field

 

'American Hustle' and 'Gravity' lead deep field with 10 Oscar nominations each. Tom Hanks and Emma Thompson are left out, and 'Inside Llewyn Davis' gets scant interest.

 

By John Horn

January 17, 2014

Tom Hanks' starring role in "Captain Phillips" was one of his most acclaimed performances in a distinguished career. But the two-time Oscar winner, who is also a governor of the Academy of Motion Picture Arts and Sciences, took nothing for granted — working tirelessly to promote "Captain Phillips" and his other big film, "Saving Mr. Banks," in which he plays Walt Disney.

But when Academy Award nominations were read out before dawn Thursday, Hanks' name was never called.

Cold-blooded snub? Probably not. Instead, Hanks' double omission is more proof that 2013 was indeed a golden year for film, one in which there were so many strong (and commercially successful) films that academy members couldn't include all those worthy of recognition.

Oscars 2014: Play-at-home ballot

Emma Thompson wasn't nominated for her starring role in "Saving Mr. Banks," Robert Redford was cast adrift from his sinking sailboat tale "All Is Lost," and Paul Greengrass and Spike Jonze missed the cut for directing, respectively, the hijacking thriller "Captain Phillips" and the dystopian love story "Her."

The Coen brothers' critically lauded folk music movie "Inside Llewyn Davis" earned just two technical nominations; last summer, it won the Grand Jury Prize at the Cannes Film Festival.

"There's incredible work being done by incredible filmmakers," said Michael De Luca, a producer on "Captain Phillips." "Not to over-inflate it, but it feels like it could be another renaissance" in movies.

Oscar voters had little trouble finding several movies to lavish with multiple nominations in top categories. The con man tale "American Hustle" and the space thriller "Gravity" tied with the most nominations with 10 apiece, as the slave drama "12 Years a Slave" collected nine. "Captain Phillips," the AIDS story "Dallas Buyers Club" and the road movie "Nebraska" all had six nominations.

TIMELINE: The Academy Awards through the years

Tellingly, many of these nominated films were financed independently. As major studios focus on superheroes and sequels, it's the independent financiers who bankroll the edgier, director-driven films whose merits are measured by reviews, not Happy Meals tie-ins.

Two of the best picture nominees — "American Hustle" and "Her" — were bankrolled by producer Megan Ellison, daughter of billionaire businessman Larry Ellison. She had more combined nominations with 17 than Paramount Pictures (13) and 20th Century Fox (11).

"I know we couldn't make this movie without Megan," said David O. Russell, who directed and co-wrote "American Hustle." "And 'Her' couldn't have gotten made without Megan."

The best picture finalists "The Dallas Buyers Club," the stock swindle film "The Wolf of Wall Street," lost-child drama "Philomena" and "12 Years a Slave" also were financed outside the studio system. Only three of the best-picture selections, "Gravity," "Nebraska" and "Captain Phillips," were made and distributed by major studios.

Oscars 2014 snubs and surprises

"The independent financiers are critical," said Rachel Winter, a producer of "The Dallas Buyers Club." "They are bucking the cycle that we are in — and we are in such a crazily specific one right now."

Her movie was underwritten by executives from a Texas fertilizer company after Hollywood studios turned the project down more than 120 times over the last 20 years.

The Academy Award nominations will help encourage others to take similar risks, noted Tracey Seaward, a producer of "Philomena" whose financing was pieced together from three European backers. "It's really a great boost and shows there's an audience for serious storytelling," she said.

Many film critics have called 2013 one of the best years for movies in memory. Happily for Hollywood, several of this year's top contenders also are box-office hits — unlike past years, in which major contenders never escaped the art house.

"Gravity" has grossed more than $256 million in domestic theaters, "American Hustle" has surpassed $104 million, "Captain Phillips" stands at $105 million and "The Wolf of Wall Street" just climbed past $81 million.

 

(end of article)

 

And the nominees are...

 

BEST MOTION PICTURE OF THE YEAR

 

 

 

“American Hustle” (Sony Pictures Releasing)

     Columbia Pictures and Annapurna Pictures Production

“Captain Phillips” (Sony Pictures Releasing)
    Columbia Pictures Production

“Dallas Buyers Club” (Focus Features)
    Voltage Pictures, R2 Films, Evolution Independent Production

“Gravity” (Warner Bros.)
    A Warner Bros. UK Services Limited Production

“Her” (Warner Bros.)
   An Annapurna Production

“Nebraska” (Paramount)
   A Paramount Vantage Production

“Philomena” (The Weinstein Company)
   A Pathé, BBC Films, BFI, Canal+, Cine+ and Baby Cow/Magnolia Mae Production

“12 Years a Slave” (Fox Searchlight)
     A River Road, Plan B, New Regency Production

“The Wolf of Wall Street” (Paramount)
     A Red Granite Production

[Putnam's Pick - American Hustle because it has been a while since Hollywood gave an award to anything with "America" in the title.]

PERFORMANCE BY AN ACTOR IN A LEADING ROLE

Christian Bale in “American Hustle” (Sony Pictures Releasing)
Bruce Dern in “Nebraska” (Paramount)
Leonardo DiCaprio in “The Wolf of Wall Street” (Paramount)
Chiwetel Ejiofor in “12 Years a Slave” (Fox Searchlight)
Matthew McConaughey in “Dallas Buyers Club” (Focus Features)

 

 

[Putnam's Pick - Christian Bale an upset maybe but part of a sweep by American Hustle.  Otherwise Matthew McConaughey.]

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Barkhad Abdi in “Captain Phillips” (Sony Pictures Releasing)
Bradley Cooper in “American Hustle” (Sony Pictures Releasing)
Michael Fassbender in “12 Years a Slave” (Fox Searchlight)
Jonah Hill in “The Wolf of Wall Street” (Paramount)
Jared Leto in “Dallas Buyers Club” (Focus Features)

[Putnam's Pick - Bradley Cooper again because of the American Hustle sweep.]

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

Amy Adams in “American Hustle” (Sony Pictures Releasing)
Cate Blanchett in “Blue Jasmine” (Sony Pictures Classics)
Sandra Bullock in “Gravity” (Warner Bros.)
Judi Dench in “Philomena” (The Weinstein Company)
Meryl Streep in “August: Osage County” (The Weinstein Company)

 

 

[Putnam's Pick - Amy Adams because she is very good, has never won and is in American Hustle.  If not her then Cate Blanchett whom I love.]

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Sally Hawkins in “Blue Jasmine” (Sony Pictures Classics)
Jennifer Lawrence in “American Hustle” (Sony Pictures Releasing)
Lupita Nyong’o in “12 Years a Slave” (Fox Searchlight)
Julia Roberts in “August: Osage County” (The Weinstein Company)
June Squibb in “Nebraska” (Paramount)

[Putnam's Pick - Jennifer Lawrence because she is a rising star, Oscar winner, has not got caught up in the Hollywood rat packs and is from Kentucky.]

ACHIEVEMENT IN DIRECTING

“American Hustle” (Sony Pictures Releasing) David O. Russell
“Gravity” (Warner Bros.) Alfonso Cuarón
“Nebraska” (Paramount) Alexander Payne
“12 Years a Slave” (Fox Searchlight) Steve McQueen
“The Wolf of Wall Street” (Paramount) Martin Scorsese

[Putnam's Pick - Martin Scorsese because he paid his dues but never won and they can't give everything to American Hustle.]

BEST FOREIGN LANGUAGE FILM OF THE YEAR

“The Broken Circle Breakdown” (Tribeca Film)
    A Menuet Production
“The Great Beauty” (Janus Films)
    An Indigo Film Production
“The Hunt” (Magnolia Pictures)
    A Zentropa Entertainments 19 Production
“The Missing Picture” (Strand Releasing)
    A Bophana Production
    An Omar Production Company Production

[Putnam's Pick - The Great Beauty though I have no idea why.]

BEST ANIMATED FEATURE FILM OF THE YEAR

“The Croods” (20th Century Fox)
     Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” (Universal)
     Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” (GKIDS)
     Benjamin Renner and Didier Brunner
“Frozen” (Walt Disney)
     Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” (Walt Disney)
     Hayao Miyazaki and Toshio Suzuki

[Putnam's Picks - The Wind Rises because Disney combined with the Japanese is too good to pass up.]

BEST DOCUMENTARY FEATURE

“The Act of Killing” (Drafthouse Films)
     A Final Cut for Real Production
“Cutie and the Boxer” (RADiUS-TWC)
     An Ex Lion Tamer and Cine Mosaic Production
“Dirty Wars” (IFC Films)
“The Square” (Netflix in association with Worldview
     Entertainment and Participant Media)
     A Noujaim Films and Maktube Production
“20 Feet from Stardom” (RADiUS-TWC)
     A Gil Friesen Productions and Tremolo Production

[Putnam's Pick - 20 Feet from Stardom since it sounds like a Hollywood storyline.]

ADAPTED SCREENPLAY

“Before Midnight” (Sony Pictures Classics) Written by Richard Linklater, Julie Delpy,
“Captain Phillips” (Sony Pictures Releasing) Screenplay by Billy Ray
“Philomena” (The Weinstein Company) Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” (Fox Searchlight) Screenplay by John Ridley
“The Wolf of Wall Street” (Paramount) Screenplay by Terence Winter

[Putnam's Pick - 12 Years a Slave since it meets the liberal standard of the leftist elite.]

ORIGINAL SCREENPLAY

“American Hustle” (Sony Pictures Releasing) Written by Eric Warren Singer and David
    O . Russell
“Blue Jasmine” (Sony Pictures Classics) Written by Woody Allen
“Dallas Buyers Club” (Focus Features) Written by Craig Borten & Melisa Wallack
“Her” (Warner Bros.) Written by Spike Jonze
“Nebraska” (Paramount) Written by Bob Nelson

[Putnam's Pick - Her because Spike Jonze has done some interesting stories and I like the way he spells his last name.]

ACHIEVEMENT IN CINEMATOGRAPHY

“The Grandmaster” (The Weinstein Company) Philippe Le Sourd
“Gravity” (Warner Bros.) Emmanuel Lubezki
“Inside Llewyn Davis” (CBS Films) Bruno Delbonnel
“Nebraska” (Paramount) Phedon Papamichael
“Prisoners” (Warner Bros.) Roger A. Deakins

[Putnam's Pick - Gravity because Sandra Bullock looked great in a space suit.]

ACHIEVEMENT IN COSTUME DESIGN

“American Hustle” (Sony Pictures Releasing) Michael Wilkinson
“The Grandmaster” (The Weinstein Company) William Chang Suk Ping
“The Great Gatsby” (Warner Bros.) Catherine Martin
“The Invisible Woman” (Sony Pictures Classics) Michael O’Connor
“12 Years a Slave” (Fox Searchlight) Patricia Norris

[Putnam's Pick - The Invisible Woman as I cannot imagine the difficulty of dressing an Invisible Woman.]

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)

“Alone Yet Not Alone” from “Alone Yet Not Alone” (Enthuse Entertainment)
“Happy” from “Despicable Me 2” (Universal)
“Let It Go” from “Frozen” (Walt Disney)
“The Moon Song” from “Her” (Warner Bros.)
“Ordinary Love” from “Mandela: Long Walk to Freedom” (The Weinstein Company)

[Putnam's Pick - tie between The Moon Song and Let It Go as they are more creative titles than the others.]

ACHIEVEMENT IN VISUAL EFFECTS

“Gravity” (Warner Bros.) Tim Webber, Chris Lawrence, Dave Shirk and
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Joe Letteri, Eric Saindon, David
      Clayton
“Iron Man 3” (Walt Disney)
“The Lone Ranger” (Walt Disney) Tim Alexander, Gary Brozenich, Edson Williams and John
      Frazer
“Star Trek Into Darkness” (Paramount) Roger Guyett, Patrick Tubach, Ben Grossmann and
     Burt Dalton

[Putnam's Picks - Gravity because after Lord of the Rings we are tired of wizards and

 hobnobs.]

 

ACHIEVEMENT IN FILM EDITING

 

“American Hustle” (Sony Pictures Releasing) Jay Cassidy, Crispin Struthers and Alan Baumgarten

“Captain Phillips” (Sony Pictures Releasing) Christopher Rouse
“Dallas Buyers Club” (Focus Features) John Mac McMurphy and Martin Pensa
“Gravity” (Warner Bros.) Alfonso Cuarón and Mark Sanger
“12 Years a Slave” (Fox Searchlight) Joe Walker

[Putnam's Pick - Captain Phillips as an apology for not nominating Tom Hanks for Best Actor.]

BEST DOCUMENTARY SHORT SUBJECT

“CaveDigger”
     A Karoffilms Production
“Facing Fear”
     A Jason Cohen Production
“Karama Has No Walls” (Mudhouse Films)
     A Hot Spot Films Production
“The Lady in Number 6: Music Saved My Life”
     A Reed Entertainment Production
“Prison Terminal: The Last Days of Private Jack Hall”
     A Prison Terminal LLC Production

[Putnam's Pick - The Lady in Number 6: Music Saved My Life as it must have a happy ending and the others sound rather morbid or exploitive.]

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING

“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” (Paramount) Stephen Prouty
“The Lone Ranger” (Walt Disney) Joel Harlow and Gloria Pasqua-Casny
 
[Putnam's Pick - Dallas Buyers Club because I can't image how they took a hunk like Matthew McConaughey and made him look so weak.]

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)

“The Book Thief” (20th Century Fox) John Williams
“Gravity” (Warner Bros.) Steven Price
“Her” (Warner Bros.) William Butler and Owen Pallett
“Philomena” (The Weinstein Company) Alexandre Desplat
“Saving Mr. Banks” (Walt Disney) Thomas Newman

[Putnam's Pick - it is hard to bet against the genius John Williams but I pick Gravity because it is such a sweeping story.]

ACHIEVEMENT IN PRODUCTION DESIGN

“American Hustle” (Sony Pictures Releasing) Production Design:
“Gravity” (Warner Bros.) Production Design:
“The Great Gatsby” (Warner Bros.) Production Design:
“Her” (Warner Bros.) Production Design:
“12 Years a Slave” (Fox Searchlight) Production Design:

[Putnam's Pick - Gravity because anything with Sandra Bullock and George Clooney has to win a few awards.]

BEST ANIMATED SHORT FILM

“Feral”
    A Daniel Sousa Production
“Get a Horse!” (Walt Disney)
    A Walt Disney Animation Production
“Mr. Hublot”
    A Zeilt Production
“Possessions”
    A Sunrise Production
“Room on the Broom”
    A Magic Light Pictures Production
 
[Putnam's Pick - this time I really have no idea why but I pick Feral.]

BEST LIVE ACTION SHORT FILM

“Aquel No Era Yo (That Wasn’t Me)” (FREAK Independent Film Agency)
     A Producciones Africanauan Production
“Avant Que De Tout Perdre (Just before Losing Everything)”
     A KG Production
“Helium”
     An M & M Production
“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
     A Tuffi Films Production
“The Voorman Problem”
     A Honlodge Production

[Putnam's Pick - Helium since it is the only one I can pronounce.]

ACHIEVEMENT IN SOUND EDITING

“All Is Lost” (Lionsgate & Roadside Attractions) Steve Boeddeker and Richard Hymns
“Captain Phillips” (Sony Pictures Releasing) Oliver Tarney
“Gravity” (Warner Bros.) Glenn Freemantle
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Brent Burge
“Lone Survivor” (Universal) Wylie Stateman

[Putnam's Pick - All is Lost because one of the sound editors is named Hymns so it must be a sign from God.]

ACHIEVEMENT IN SOUND MIXING

"Captain Phillips” (Sony Pictures Releasing) Chris Burdon, Mark Taylor, Mike Prestwood
    Smith and Chris Munro
“Gravity” (Warner Bros.) Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Christopher Boyes, Michael
    Hedges,  Michael Semanick and Tony Johnson
“Inside Llewyn Davis” (CBS Films) Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” (Universal) Andy Koyama, Beau Borders and David Brownlow

[Putnam's Pick - The Hobbit: The Desolation of Smaug because I don't want Smaug's desolation to go unnoticed nor the Little People to be mad at me.]

That's All Folks!  See you March 2...
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President Obama pitches home run for Republicans

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The same week Obama gets a second major budget initiative bill from a bi-partisan Congress thanks to the tireless efforts of House Budget Committee Chairman Paul Ryan and Senate Budget Committee Chairman Patty Murray which provides a year of Congressional stability and avoids government shutdowns and other nonsense, Obama takes the bully pulpit once again.

 

 

Obama is quite the dichotomy, or is it trichotomy?  There is the ethereal, detached professor who lectures America as if we are stuck in stupid.  There is the frustrated and hypocritical Nobel Peace Prize winner still trying to end war five years after winning the coveted prize.  And there is the Chicago back room politician who seems to have forgotten thugs stopped being in vogue back in Richard Daley days.

 

 

No one in America should be more aware of the paralyzing effects of bitter partisan politics than Barack Obama.  Every year since elected he has invoked the finger pointing threat of condemning Congress for failing to say yes to everything he wants.  Then he moans and groans about the need for bi-partisan cooperation because he can't get what he wants.

 

 

Now, after five years of intellectual and Congressional constipation when Congress finally does start working together which Barack Obama shows his face, the same old Chicago thug from five years ago who basically said to Hell with Congress and the people, I'm going to use executive powers to do what I want!

 

At times it seems our president is more concerned with his legacy than his performance in office.  At times it seems he is resigned to doing nothing with Congress or the Supreme Court when the Constitution defines a clear role for all three branches of government.  Kind of makes you wonder what they taught him in his Constitutional Law courses at Harvard.

 

 

Be that as it may, did he also forget this is an election year?  A swing of just six Senate seats from Democrat to Republican would give the GOP control of both the House and Senate for the last two years of the Obama presidency.  If he thinks things have been tough so far, imagine what would happen if he lost control of the Senate.

 

 

Thanks to ObamaCare four Senate Democrats up for re-election have already said they will resign.  Senators don't resign without reason and there is no better reason than to think you can't win.  If such is the case, the GOP needs only two more seats to take control for the next two years.

 

 

So why does Obama condemn Congress and the GOP when they are working together for the first time in five years?  That is the home run ball he served up to the Republicans.  It also may be the lingering failure to get over politics Chicago style and a continuing failure to realize what worked in Chicago all those years ago is not relevant to the modern day and present needs.

 

 

His mastery of the teleprompter and triumphant speeches long ago lost their luster to the American people who are still trying to recover from an economic collapse caused by greed and prolonged by partisan bickering.  No matter how smooth you may be as a politician, eventually the people expect results.

 

No president has ever been successful because they were a partisan bully.  No president has ever been successful by condemning the two branches of government our Founding Fathers felt could protect us from an abuse of power and anarchy, the Legislative and Executive branches.

 

 

It just seems that Obama has never understood his is not an Imperial presidency but a democratic election to office by barely 50% of the vote.  Yet once elected, he is the president for all the people, not just those who like him.  Serving all the people all the time seems foreign to the Obama administration and that is a sad truth to ponder.

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The Crucifixion of Chris Christie

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Once upon a time a bunch of political partisans, special interests, defenders of the faith and powerful interests got together to decide what was in the best interest of the people without bothering to ask the people what they thought or wanted.

 

The media at the time did their best through the use of lies, deception, deceit and demagoguery to undermine the credibility of someone who just wanted to help the people and teach them the power of love.  So the media whipped up a frenzy in the people to destroy this person.

 

Unfortunately, for the hordes of special interests calling for his destruction, their success in winning public support was fleeting and the malicious and deceptive facade was exposed and crumbled before nightfall of the Crucifixion.

 

And then came the Resurrection - reinforcing that the people, not the media, not the radical special interests or the crooked politicians who tried to control the people's minds and will through corrupt government, financial institutions and a disregard for the truth, that the people would overcome.

 

This was proven by the test of time as billions of people today embrace the teaching of the lonely voice in the wilderness crucified over 2,000 years ago.

 

When the intent of the Crucifiers is to mislead, control or subvert the will of the people, they are destined to fail.

 

 

So what does this have to do with Chris Christie, Governor of New Jersey?

 

First, before you get carried away with theological challenges and heretical demands from the Inquisition era to burn me at the stake, let me make it clear I am talking about a comparison of the act of crucifying, not the actual victim of the crucifixion.

 

 

I am talking about the highly visible and obvious attempts by some very special interests to destroy Chris Christie by using every obscure incident that comes along to smear him in the media.

 

The Ft. Lee bridge lane closure was a trigger that brought out the worst in our politicians, news media, radical left wing, radical right wing and presidential hopefuls in an attempt to destroy Christie's credibility with the people across America.

 

 

Why might that be?

 

Think about it.  Professional politicians and the political campaign machines behind them have effectively neutralized the voice of "We the people".  It has been accomplished through years of manipulation and collusion between the political demons and money changers, those who profit from the business of government or the subversion of government regulations.

 

As Obama has proven it no longer matters right now if our political leaders are a Democrat or Republican, they are all puppets and the puppet masters pulling the strings control the financial institutions of Wall Street and corporate America.  Main Street and rural America simply have no chance as long as the status quo remains.

 

 

Christie is an outsider, demonstrating over and over that he is not a professional politician under the control of the puppet masters, while his popularity in New Jersey and now throughout the nation have grown.

 

Like 2000 years ago, the political corruption and moral morass of the system is suddenly threatened by this brash outsider with no strings attached.  The most dangerous threat to the puppet masters is that of a populist movement to expose them and their practices.

 

 

Populist movements require a person to personify the nature, character and ethics of the movement.  For example, one third of all Americans reject the control of the two-party system and signed up as Independents.  The number grows every election cycle.

 

This huge block of people is leaderless and thus will remain disenfranchised until they get a standard bearer for their movement to rid our nation of the strangling control of the puppet masters.

 

Chris Christie is an outsider.  Look at the people who attacked him before they even knew the truth about the Ft. Lee situation, so desperate are they to derail his success at uniting people.  For Christie can unite the disenfranchised Democrats and Republicans with the Independents, as many polls have shown.

 

 

Supporters of Hillary Clinton and numerous other potential presidential candidates have led the charges against Christie along with their supporters in the news media.  Hard-line leftist liberals and radical, right wing conservatives have joined in the hatchet job.

 

Then there are the New Jersey politicians, the good old boys, from the high profile aspirants to the unknown, from potential candidates for governor to state senators.  Finally, there are the mayors, so many egos furious that Christie had become the darling of the media and not them.

 

 

I lived in New Jersey longer than anywhere I lived in my life.  Working for Governor Tom Kean I spent 8 years travelling every nook and cranny in Jersey and came to respect and appreciate the incredible diversity of the people, the strength of their convictions and their tolerance for other people's opinions.

 

 

Corruption has been prevalent for a long time in Jersey from the political corruption resulting from too many government entities to the Atlantic City casino and mob influence to the New York and Philadelphia La Casa Nostra.

 

Every year more and more corrupt officials are caught and more federal cases have greatly reduced the influence of organized crime in the state.  When he was US Attorney for New Jersey Chris Christie successfully prosecuted 130 corruption cases.

 

Any mayor in New Jersey who whimpers and wines about the rough and tumble politics of the Garden State needs to find a new garden to play in because they are oblivious to reality.  Of course it is rough and tough because that is what it takes to defy a culture of corruption and survive the temptations of office.

 

 

But tough politics is not corruption.

 

The greatest danger to those attempting to crucify Christie for something he denies doing is not that they fail to derail his place in the hearts of New Jersey and national voters, it is that the people will see through the political smoke screens and fog banks to the truth and that his resurrection will make him far stronger than the person he was before.

 

 

Ironic, isn't it, that the crucifiers might trigger a resurrection that destroys everything they are trying to protect.  People, people of all political persuasions who still possess the view that politics should be ethical, free of partisan control and built on integrity share a common ideal that transcends partisan politics.

 

 

New Jersey voters know the meaning of fair play and have no interest in letting the news media or outsiders tell them what is good for the State of New Jersey.  They know the value of a Chris Christie with no strings attached compared to the multitude of pampered, pandering political hypocrites and their puppet masters claiming to have the best interests of the people at heart.

 

Will the resurrection allow the rest of America to share in this dream with New Jersey people and trigger a populist revolution throughout our nation that will sweep into national office a new breed of people's politician and restore "We the people" to our Constitution?

 

 

Will the strings of the puppet masters be severed once and for all?

 

Stay tuned...

 

p.s.  I was raised in Iowa and can tell you straight shooting Chris Christie will be a breath of fresh air to the normally polluted presidential primaries of the Hawkeye State.

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