The Hopi Nation - Children of God & Keepers of Peace - Part 1.

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The Destruction of the Hopi Indian Culture

Tucked away in the high desert of Arizona above the Grand Canyon, once their sacred grounds, live the Hopi Indians, long known as the People of Peace and Children of God. Mysterious, isolated, and the only Indian nation in America to never sign a treaty with the government, never be at war with anyone, never ask the government for help and never to feel regret for all the wrongs that have been cast upon them, there is no indigenous nation on Earth like the Hopi.

Long before the new colonists settling colonial America reached the Hopi in Arizona the Hopi had been discovered by the Spanish Conquistadors who came to the Southwest from Mexico and South America where they spent a century plundering the Aztec and other indigenous tribes whose rich history and cultures have become legendary, like the Olmec, Toltec, Mayan and Aztec nations who prospered over 2,500 years from before the birth of Jesus.

The Spanish, following the discovery of America by Christopher Columbus, were shocked by the human sacrifices of these native cultures and drawn to the incredible gold and riches of these ancient cultures so they plundered and conquered their way through Mexico into the areas now part of New Mexico, Arizona and Southern California. Before they were through over 90% of the Indians of Mexico died from diseases introduced by the White man and the wars.

During the same time caravans of Spanish ships returned to Europe laden with the treasures of the ancient kingdoms and as a result Spain was to grow into the most powerful and feared nation in Europe. It was the wealth of Mexican Indians that resulted in building the Spanish Armada, the fleet of warships of Spain that controlled the oceans of the world in the 16th century until Queen Elizabeth of England miraculously defeated the Spanish Armada in 1588.

It was during the century of conquest the Spanish conquistadors reached the Hopi nation in Arizona and were stunned to find a nation living in peace with no desire for war. As a result of the peaceful nature of the Hopi and failing to find an obsession with gold as with the Mexican tribes the Spanish granted the Hopi the only land grant ever given by a foreign government to an American Indian nation granting the Hopi all rights to Arizona, New Mexico, California and other parts of the Southwest.



However, the Hopi knew the act by the Spanish would be overturned by the next wave of White man coming from the East, the English speaking settlers of colonial America. You see the Hopi have an ancient prophecy dating back thousands of years to before the days of the legendary Atlantis, and this prophecy foretold of the coming of the Spanish, followed by the White man from the East, and the eventual destruction of the Hopi nation. To the Hopi the fulfillment of the prophecy was the will of Father Creator, their God who is comparable to the Christian God, and even though the Hopi nation would be reduced from over 100,000 when the Spanish arrived to about 10,000 today, it was the path of evolution they would follow.

Since the coming of the English speaking White man from the east in the 17th century we have stolen their lands, giving huge sections to other Indian nations like the Navajo who were at war with the White man. Missionaries from the Mormon church and others have tried to convert the Hopi to Christianity. By early in the 20th century all the Hopi children were kidnapped by our government and sent to government schools where English was taught instead of their Hopi teachings and the ancient ceremonies and prayers inherent in the Hopi way were banned. All was consistent with the ancient prophecies.

In time the influence of the white man would virtually destroyed the ancient Hopi Indian culture while fulfilling the ancient Hopi prophecies.



It was 46 years ago when two of my fraternity brothers at the University of Arizona in Tucson, native Navajo, first introduced me to the ancient Hopi in Northern Arizona, a reservation surrounded by the Navajo where the Hopi were sent to die out. The three mesas they occupied had no agriculture for food, little water and no resources. All of the Hopi lands that were rich with natural resources like the Colorado River, the source of water and electricity for California, and the rich copper and uranium deposits, were confiscated from the Hopi without cause, legal proceedings or dignity.

Still the Hopi remained at peace knowing the troubles they were to face. It was all according to the ancient prophecy.

Many times since I have returned to the reservation to meet with the elders and study the ancient Hopi way. I was accepted as a pure heart or "one heart" by the elders and they have shared more and more of their secrets over the years. It is a rich and highly spiritual legacy far more demanding than the Christian culture I knew as the Hopi were required to spend about 224 days a year performing religious ceremonies to honor Father Creator (God) and Mother Earth (The Holy Mother Mary).



The ancient Hopi prophecies are preserved by petro glyphs carved into the canyon walls by the Hopi thousands of years ago, and contained on four sacred tablets that have been handed down throughout time. It is the story of the five cycles of civilization of mankind, we are now in the 4th cycle of civilization, from the beginning through the end of time. I have seen the canyon prophecies and sacred bundles and talked of their meaning with the elders over the years.



These prophecies foresaw the coming of the “Bahanna”, or white man, and how the influence of these people would eventually lead to the destruction of the Hopi traditional culture, and with it an end to the current cycle of civilization as we know it. As of today, according to Grandfather Martin Gashwesoma, keeper of the sacred stone tablets and spiritual leader of the Hopi nation, less than 5% of the surviving Hopi still practice their ancient cultural beliefs.

PROPHECY OF THE WHITE MAN

The coming of the Hopi’s lost white brother was long awaited by the people as it was foretold in the Hopi prophecies. It was a prophecy that would not be fulfilled until the year of 1540. At that time the famous Spanish explorer, Francisco Vasquez de Coronado, dispatched a party of soldiers and a Franciscan friar named Juan de Padilla to explore Indian villages in the area that is now Arizona. Nearly 43 years later the Spanish returned, and in 1598 the Spanish requested the submission of the Hopi to the King of Spain.

After requiring the submission of the villages to the King, the Spanish began sending missionaries to convert the Hopi to Christianity and many were converted. By 1674 several churches had been build in the villages. The next step was to require the Hopi to stop performing their ceremonies and follow those of the church. Shortly after came droughts, the destruction of the Hopi crops, and famine. A small group of Hopi secretly preserved the Hopi ceremonies by continuing them in the mountains.



By 1680 the Hopi finally refused further persecution and drove the Spaniards away. It was not until 1700 that Padre Juan Garaycoechea came to the Hopi and again tried to convert them to Christianity. And once again the Hopi drove them away. It would be nearly a century before the white man would harm them again.

One prophecy foretells of the time after the war between the United States and Mexico that resulted in the US taking control of the Hopi lands. The US government then failed to uphold promises to the Hopi to protect them in 1852 from attacks by the Navajo Indians. When the Navajos were defeated by the US in 1864, much of the Hopi land was given to the Navajo without the consent of the Hopi.



Yet another prophecy told of when the traditional ways of the Hopi would be threatened by the Bahanna, which happened beginning in 1887 with the opening of the first public school on the Hopi reservation. By the early 1900’s the US began the imprisonment of Hopi parents who refused to send their Indian children to the schools. The banning of all traditional rituals and ceremonies soon followed.



CONCLUSION

The mysterious Hopi nation has long been a source of speculation and myth. They are the only Indian nation in America that has never been at war against other Indians or the white man. They are the only Indian nation that has refused to sign a treaty with the United States government. They have never requested assistance in terms of food, housing or medical aid from the US government.

They grow their own food in the harshest desert under the worst conditions, and have been self-sufficient for over 800 years. They spend 224 days a year performing religious ceremonies, and recognize both a single God (Creator) figure, a Jesus figure and the Holy Mother Mary (Mother Earth). Hopi traditionals refuse to allow Mother Earth to be harmed in any way, including refusing to allow any disruption in the earth from sewer pipes, water lines, mineral mining and anything else to be taken or buried in the earth.

Long called the People of Peace and Children of God, it is ironic that among the people the Hopi wanted to protect, the Bahanna, they were the very ones who have done the most to destroy this ancient culture. A course of history that was foretold in the ancient Hopi prophecies.

For further truths about the Hopi see:

Frank Waters, Book of the Hopi, New York: Penguin Books, 1963.

Sandy Johnson, The Book of Elders, San Francisco: Harper, 1994.

Hopi Elders. “The Techqua Ikachi” file, 44 newsletters explaining Hopi prophecy

http://www.jnanadana.org/hopi/techqua_ikachi_i.html
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Maybe there is hope for our future...

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At least the Irish know what is still important.

Tá an ticéad a'am don bhealach fada
Dhá bhuidéal uisce don thuras
Is ba bhreá liom cara a bheith in éindí liom
Mé ag fágáil amárach, mbeidh tú liom?

Nuair 'tá mé imithe
Nuair 'tá mé imithe
Aireoidh tú uait mé 's gan mé ann
Aireoidh tú uait mé 's mo aoibh 
Aireoidh tú uait mé 'chuile thaobh 
Ó, aireoidh tú uait mé 's gan mé ann

Tá an ticéad 'am don bhealach fada
Tá an saol mór ag fanacht liom
Measc na sléibhte, taobh na habhann
Ait a bhíonn an t-aer breá úr 
Beidh sé i bhfad níos fearr leat a stóir

Nuair 'tá mé imithe
Nuair 'tá mé imithe
Aireoidh tú uait mé 's gan mé ann
Aireoidh tú uait mé 's me ag caint
Aireoidh tú uait mé 's mé ag seinnt
Ó, aireoidh tú uait mé 's gan mé ann

 

 

 

I got my ticket for the long way run
Two bottle of whiskey for the way
And I sure would like some sweet company
And I'm leaving tomorrow, what'dya say

When I'm gone 
When I'm gone 
You're gonna miss me when I'm gone
You're gonna miss me by my hair
You're gonna miss me everywhere, oh
You're gonna miss me when I'm gone

I got my ticket for the long way run
The one with the prettiest of views
It's got mountains, It's got river's
It's got sights to give you shivers
But it sure would be prettier with you

When I'm gone 
When I'm gone 
You're gonna miss me when I'm gone
You're gonna miss me by my walk
You're gonna miss me by my talk, oh
You're gonna miss me when I'm gone

  

 

Thanks to the Google ad barrage you may have to turn up the volume at the bottom of each video, or maybe not.

The search for the band MADD - Iowa's Legendary Garage Band

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Where have all the flowers gone?

Tired of the political constipation in Washington?  Once upon a time there were a lot of good things that happened in our world and lives.

 

 

A long time ago my basketball teammates at the University of Arizona used to call me a "hayseed" from the fields of Iowa, a label I wore proudly.  They could never understand why nothing seemed to bother me no matter which way the winds blew, good or bad.

 

 

In Iowa we grew up to believe things could always be better and not just for ourselves but for everyone on God's green Earth.  So we sang, we danced and we got on with fixing the problems rather than becoming a hostage to them.

 

 

Think about it.  We grew up with a Cold War, the constant threat of nuclear annihilation, a civil rights revolution, colleges torn apart by Viet Nam, the military draft and academic freedom, multiple assassinations of our president, his brother and the leader of the civil rights movement, and even the murder of Marilyn.

 

 

As a people we faced these problems and solved them, not without great difficulty and perseverance, but we solved them because we were first Americans whose love of freedom and individuality drove us to make our world better for everyone, not destroy the system just to get our own way.

 

 

Back in the good old days when people looked at each other as people rather than some ridiculous label; things got worked out.  Now our leaders can't even keep the Lincoln Memorial open.

 

 

In the middle of the chaos we grew up in back in Iowa, there came a group of young teenagers who just wanted to bring people together through their music and it was people like them who showed us the light at the end of the tunnel.

 

 

For a few hours in a concert they could weave a magical spell and make us forget all the real problems we faced, Viet Nam, civil unrest, prejudice, assassinations and nuclear disasters.  If they could just get us to stop and sing and dance, the world could be a little safer for all of us.

 

 

So I set out to discover what had happened to one of the best bands I had ever heard after they disappeared in 1970 and to resurrect the remarkable journey they took through the chaos to bring a touch of happiness to our world when we really needed it.

 

 

What I discovered was just as remarkable as the events that brought MADD to us in the first place and I am more than happy to share their story about a group of humble lads from Iowa who just wanted to share their songs with anyone who would listen.  They were the messengers of peace, joy and happiness in one of our darkest times and they never stopped pursuing their mission in life.

 

 

So please turn down the hatred, fear and anxiety for a few moments and read the remarkable story of the band MADD and their quest to help everyone remember how to sing, dance and be happy.

 

http://coltonspointtimes.blogspot.com/2013/10/madd-iowas-greatest-garage-band-of-1960s_2.html

 

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MADD - Iowa's Greatest Garage Band of the 1960's

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MADD
Iowa's Greatest Garage Band of the 1960's

 

The Band history

 

 

Mick Sexton - Barry Monohon

Brian David Bernstein

Michael Schomers - Casey Foutz

 

Iowa Rock 'n' Roll Music Association

 

Hall of Fame Nomination

 

 

submitted by

 

Jim Putnam

 

 

Iowa Rock 'n' Roll Music Association

Hall of Fame Nomination

 

 

MADD Band History

 

Ottumwa, Iowa was a small town with a huge craving for good music thus it was a place where Swing Bands and the Grand Ole' Opry toured constantly when in Iowa.  It was in the shadow of this rich musical legacy that a group of young lads growing up in the 1950's and 1960's fired their interest in music, and became caught up in the early evolution of the rock and roll movement in America.

 

What a time to be involved as they were in the first generation of Baby Boomers and were exposed to the most turbulent times in terms of world and national events while the music industry was going through the greatest changes since the radio revolutionized the music scene.

 

Television brought America into the far reaches of the nation's deep music legacy from the Grand Ole Opry in Nashville to Dick Clark's American Bandstand in Philadelphia.  Popular music was on the Hit Parade and musicals dominated the Broadway scene in NYC.

 

 

There was a proliferation of genre friendly radio stations across the land and with the advent of rock and roll and the soaring popularity of country music suddenly tours with a cavalcade of stars were making their way throughout the land.

A young kid in the 1950's was torn between the country sounds of Hank Williams, the rock and roll of Bill Haley and the Comets, Elvis and Buddy Holly, the soul of Louis Armstrong, the blues by the likes of Howlin' Wolf, Muddy Waters, Willie Dixon and Jimmy Reed, the doo wop of the Platters, Coasters and Del Vikings, the pop songs of Teresa Brewer, Rosemary Clooney, Perry Como and Doris Day and the folk songs of Peter, Paul and Mary, The Kingston Trio and others to mention a few.

With the commercial success of Fender and then Gibson electric guitars in the early 1950's the revolution in music styles was matched by the revolution in instruments with technical innovations often driving the emerging rock and roll era.

Ottumwa was one of the first tour sites for the Grand Ole Opry road shows and was in the middle of the cultural revolution taking place in music.  Changes intensified in the 1960's with the Beach Boys, the California sound of the Byrds, the Beatles invasion, Dylan's electric folk and the psychedelic revolution.

This was the culture of music when each of the lads of MADD began their odyssey in the music scene.  They were the first generation bombarded by all forms and styles of music from radio, television, movies and Broadway shows.  It was the Golden Age of America and the Golden Age of rock and roll.

Before the age of computers, cell phones and multi-track digital recording, when electric guitars were still new and rock and roll was just beginning to discover a niche as a new music genre, a group of young lads in Ottumwa set out on the path that would bring them together in their high school years and launch them into a lifetime love of music.

MADD was a journey from honky tonks to country clubs, street dances to college campuses, and television to the State Fair.  Members grew from junior high marching bands to American Bandstand appearances, from teen clubs to Broadway.  It was magical in a time when the magic of rock and roll ruled.  Here is their story.

 

MADD Members

Mick Sexton

Mick Sexton was a singer and lead guitarist for MADD and the acknowledged leader of the band though he refuses credit and insists all four, Mick Sexton, Barry Monohon, Michael Schomers and Brian David Bernstein should collectively share credit as leaders and founders.  Still, a look at his background and it was clear why he was the driving force in pushing their amazing creative musical achievements.

By age 4 Mick was playing Hank Williams tunes on his Grandmother's piano.  His interest in music caused his mother to rent an accordion from a door to door salesman.  After a handful of lessons, at age 4½ Mick was playing The Blue Danube Waltz live on an Oskaloosa radio station.

His father bought him a Stella acoustic guitar for his 5th birthday and 6 years of lessons led to winning a number of talent contests at county fairs.  Performing for his parent's friends became a family ritual.  When performing on the Jerry Lewis Muscular Dystrophy Telethon in the late 1950's he shared the stage with Raymond Burr (Perry Mason), James Arness (Matt Dillon) and Schuyler "Sky King" (Kirby Grant) at the Ottumwa Coliseum.  By age 10 and 11 he had performed several shows with the popular Rhythm Playboys.

All the while Mick was exceptional in school and YMCA AAU athletics in swimming and diving competition including winning Gold Medals in two State AAU championships and two Regional AAU championships.

He joined his first rock band, The Perfidians, when in 8th grade.  They played the Horseshoe Club and road houses in the Ottumwa area while Mick balanced his education, swimming and musical careers.

After a brief stint with Tommy Williamson's X Rays band he was playing at the Teen Corner Candy Kane Lounge with Barry Monohon, Eddie Hood and Bill Ingles.  When Eddie and Bill departed, Mick, Barry, Michael Schomers and Brian David Bernstein decided to form MADD.

After his MADD experience Mick played in a group called London Fog with Casey Foutz, the 5th member of MADD, that recorded a song in Racine, Wisconsin.  This was followed by the Upstairs Playground, an innovative rock ensemble.

He moved the Upstairs Playground to Iowa City where they performed at the popular college bar Little Bill's, one of the hot spots for University of Iowa students.  Mick later played in a group called Stray Cat.

Then it was on to San Francisco, California where he joined a band called Innersection that opened for the well known band the Whispers.  Mick's band was an all Black Soul and R&B band until he joined.

He then moved to Eugene, Oregon and joined a country/rock band called Captain Country.  This band recorded an album and made music videos and was popular in the Pacific Northwest music scene playing venues from I-5 truck stops to The Dexter Lake Club, a popular venue used for the movie Animal House featuring the band Otis Day and the Knights led by now famous Robert Cray.

It was back to the Top 40 when Mick joined his wife in the band Elixir and they moved to Rochester, NY and joined a circuit playing clubs from Rochester to the Florida Keys, then forming Florida bands The Source and later Sapphire.

Today he retains his passion for music in an avant garde group playing a range of music from the Beatles to Paul Simon to traditional Irish (Celtic) to classical including Mozart, Bach and Beethoven forever seeking to challenge his creativity and push his in depth knowledge and expertise in music.

Barry Monohon

Barry Monohon, bass guitar, was adopted by his maternal grandparents who exposed him to music his entire life.  From his earliest memories of an accordion player performing Mocking Bird Hill for him at his Aunt's house at age 4, to discovering a stash of 78 big band records at age 5 by Glenn Miller, Harry James, Benny Goodman and Sophie Tucker, music was his passion.

The first live concert he attended was Conway Twitty and Brenda Lee in the Grand Ole' Opry Show that regularly came to Ottumwa and one night his step father, Leo Monohon brought the popular Rhythm Playboys over to the house for rehearsal, giving young Barry a chance to sit in with the band.

He progressed from a tonnette to clarinet, to ukulele before joining his junior high band.  Left handed, he got his first electric guitar in junior high and soon took up bass guitar.

Like Mick, Barry also played in local bands before joining the X Rays band with Tommy Williamson where they were the house band at the Candy Kane lounge.  When two members decided to leave Mick, Barry and Brian David Bernstein decided to form MADD with Michael Schomers.

To those who knew him Barry was a fun loving and mischievous character who would rebuild right handed guitars in order to play left handed, and loved a good practical joke.  Like the time he shouted into the microphone during a sold out concert to the teen girls who threw panties on stage to throw money not clothes, and they promptly bombarded Michael Schomers and the others with quarters.

An accomplished graphic design, oil and pastel artist Barry balanced his interest between MADD and his passion for art moving for a time to Berkeley, California where he was caught up in the Abstract Expressionist movement but returned to Iowa.

He later played in three bands in the Des Moines area where MADD had achieved great success at the Iowa State Fair and on WHO TV.  After moving to Midwest City, Oklahoma he learned from Des Moines musician and friend George Clinton that the recording contract that was supposed to go to MADD for winning the Omaha Midwest Battle of the Bands was given to the 1910 Fruitgum Company band.

 

Barry now has an art studio in Lincoln, Nebraska and has exhibited both nationally and in Europe and his works are included in many prominent private and corporate art collections.

Brian David Bernstein

Brian David Bernstein, drummer and vocals, came from a family who owned Bernstein's Music Store in Ottumwa.  Under the watchful eye of his father he went from a shy snare drummer in the junior high school band to evolve into one of the best rock drummers in the state.

Just 12 years old when MADD was formed Brian David stunned his peers like Mick Sexton, Barry Monohon and Michael Schomers with his raw talent and boundless energy on the drums, along with his exceptional singing talent, that allowed him to contribute to the three-part plus harmonies that set MADD apart from most bands.

Unlike the other band members, Brian David's first real band was MADD but his on stage presence and flamboyant style made him an instant hit with the fans and gave the impression he was born to beat the skins.

After his years with MADD he played in Iowa City with Mick in the Upstairs Playground and later moved to Des Moines, the heart of jazz, soul and alternative music in Iowa, where he played in Wheatstraw with Dartanyan Brown.

He then moved to Northern Florida where he joined a succession of bands playing the Florida to Myrtle Beach, South Carolina circuit.  These included Then 2 Now, The Prentis Bernstein Group, Bumper and Heart & Soul Limited.

Brian David became a regular session player for numerous groups in Nashville, Tennessee as both a drummer and singer.   In Florida he also taught drums. 

Recently he has moved to Toronto, Canada and he continues to perform between Canada and Florida.

 

 

Michael Schomers

 

Michael Schomers, rhythm guitar and vocals, was in a youth group at church that had a guitar but needed a guitar player for sing alongs, so Michael jumped in.  When the Beatles came along he was hooked.

 

His first band in Ottumwa was the Blew Brothers, with Tony and Tommy Blew.  Their father Don Blew was their mentor.  Don's true passion was his music and he was known as a musician's musician having played guitar in many bands throughout his career including the Ponderosa Playboys which was an area backup band for Nashville stars and the Don Blew Trio and Don Blew Quartet with his two sons.  Don also had taught jazz guitar at Parsons College.

 

With such a great mentor it was a fast track to success.  With the addition of Tom Williamson to their group they became the Aztecs, later the Sidewinders and eventually the X Rays.  They played Washington Junior High School dances and at the YMCA Corral dances.

 

Mick, Barry and Michael all were linked by playing with Tommy Williamson at different times although Michael and Mick had attended the same YMCA camp earlier.  When MADD was formed Barry switched instruments to bass guitar and Michael, who had become an accomplished bass player, switched to rhythm guitar and singer.

 

Michael's father was instrumental in helping the boys acquire the Cadillac hearse which was a symbol of the uniqueness of the band and helped with bookings and managing the gate at concerts.

 

After MADD Michael played in Iowa City in the band Source and eventually moved to Tampa, Florida where he continued to be part of various bands.  While in Florida he played in a highly acclaimed Broadway musical, The Rock and the Rabbi, performing on Broadway in NYC, at the Grand Ole Opry in Nashville, and at the Hard Rock Cafe during national tours.

 

Michael has a recording studio in his home and continues to play with various musicians in the Florida area.

 

Casey Foutz

 

Casey Foutz from Bloomfield, Iowa  joined MADD late in the first year as keyboard player and was a fan favorite as a performer and singer.  After MADD he played with Mick in London Fog and the Upstairs Playground.

 

He became a founding member of Crabby Appleton in Los Angeles, with several Billboard 100 hits.  While with the band they opened for national stars like the Doors, Sly and the Family Stone, Three Dog Night, Guess Who and ABBA.  They also appeared on Dick Clark's American Bandstand and other national shows.  Casey then joined Pacific Gas & Electric of Los Angeles.  Heart problems shortened his career and Casey died in the mid 1980's of heart failure.

 

 

The MADD Years - 1965-1970

All MADD members were pushed by their parents and families to pursue the dream of all teens, to be rock and roll stars, but they were among the few who captured the sound of popular artists so well that they often sounded far better in concert than the original performers.

Many can dream but few can come so close to realizing it as the lads of MADD when they formed their unique band in 1965.  The name was influenced by a song by the Animals called Mad at You.

Before MADD and at very young ages the members played in a variety of local bands including the X Rays, Blew Brothers, Aztecs, Sidewinders, Perfidians and others as they developed their skills as musicians and singers.

When most aspiring rock and rollers were getting their first Fender guitar the members of MADD were already mastering the legendary Rickenbacker 12 string guitar, Hoffner left-handed bass guitar and Ludwig drums.

As noted, in 1964  Mick Sexton (lead guitar/singer) had a band with Eddie Hood (bass/singer), Bill Ingles (drums) and Barry Monohon (rhythm guitar).  Eddie left the band and Barry Monohon took over as bass player.

In 1965 when Bill Ingles left to join the military, Mick (lead guitar), Barry (let handed bass) and Michael Schomers (rhythm guitar) agreed to form MADD with Brian David Bernstein as drummer thus the core group was in place.

Barry was recruited at an audition in Bernstein's house and Barry played a left handed Hoffner Bass like Paul McCartney of the Beatles.  Schomers first practiced with the group at his house.  When the band was first formed Schomers and Bernstein were just 14 and 13 years old respectively, incredibly young for the sophisticated songs and harmonies perfected by the band.

Michael's father helped them buy a 1952 Cadillac hearse as their touring car and in 1965 the band was officially launched.  As they toured Southeast Iowa and their popularity increased keyboardist Casey Foutz joined the band.

Among the first songs played by MADD was My Generation by the Who and Day Tripper by the Beatles and by 1966 they were known for their complex songs like Red Rubber Ball by Cyrkle, a short lived band who opened for the Beatles on their American tours.

Sexton, who was known for his haunting rendition of Mr. Tambourine Man by the Byrds which he played on a Rickenbacker 12 string set the lads on a course of magical three-part plus one harmonies that made MADD the premier Iowa "Garage" Band of the 1960's and one of the best in the nation.

Of course during that time most national recording artists were covering songs written by others so being a Garage Band and covering songs was typically the ticket to success, provided you had the talent and opportunity to excel.

Not only did MADD have incredible talent but they had help from Iowans and others of all ages who heard and then believed in these talented lads.  MADD never had a manager, booking agent, road manager, publicist, promoter or anyone working for them.  People just wanted them to succeed.

From 1965 until 1970 MADD toured the Iowa/Missouri/Illinois area growing their following from small town gigs to college campuses to being featured on television station WHO in Des Moines, playing the Iowa State Fair, and dominating one of the nation's largest Battle of the Band competitions in Omaha, Nebraska.

Some MADD Venues

Clothing Show at Ottumwa Country Club

The Teen Corner, Ottumwa

Candy Kane Lounge, Ottumwa

Dance Craze Street Festival, Ottumwa

Ottumwa Auditorium Featured act

Keokuk Teen Club, Keokuk, Iowa

Kahoka, Missouri College Dance

Northeast Missouri State University, Kirksville, Missouri

University of Iowa, Iowa City

Parsons College, Fairfield, Iowa

WHO TV Teen Show, Des Moines -

Iowa State Fair, Des Moines, Iowa

Starr Stations Midwest Battle of the Bands, Omaha, Nebraska

Among the many unique aspects of MADD was the fact they shared a 1952 Cadillac hearse as their touring car and they all lived together most of the time they played together in order to be able to spend countless hours rehearsing new tunes and mastering new techniques.  Every performance seemed to be enhanced from the previous one.

 

They also were very much involved in the Iowa community of musicians and were constantly sitting in with other bands or sharing techniques and ideas with groups from Keokuk to Iowa City to Des Moines.

 

As a group they set a pattern of showmanship and exceptional skill as singers, musicians and performers covering the most difficult songs of the generation often achieving a sound superior to the bands they were covering.

 

The pinnacle of their success was achieved in 1969 at the Midwest Battle of the Bands in Omaha, Nebraska where over 30 bands had been invited and hit bands the Buckinghams from Chicago and Young Rascals, later the Rascals, from New Jersey were performing.

 

The Starr Radio network, one of the largest rock and roll radio networks in America with stations from coast to coast was sponsor through their KOIL station in Omaha.  Before the competition was completed MADD left all other competitors buried when the thousands of fans blew away the sound meters used to measure audience response.

 

As the clear victor MADD was featured as the opening act for the Omaha auditorium concert by the Buckinghams and Young Rascals.  The sponsors were stunned when the crowd demanded encores by MADD before the featured acts and the Midwest audience clearly favored the incredible energy and professionalism of MADD over even the nationally famous recording artists.

 

 

When MADD completed their opening performance and played several encores in response to the demands of the crowd, Dennis Tufano, a founder and lead singer for the Buckinghams came and up and told MADD, "You guys are far out!"  It was the first time the Iowa boys had received a compliment like that.

 

MADD finally disbanded when some pursued a college education but all of the members went on to play in numerous bands throughout the country including jazz, soul, country rock and avant garde groups.

 

Bands after MADD:

London Fog, Iowa City

Upstairs Playground, Iowa City

Stray Cat, Iowa City

Wheatstraw, Des Moines

Shabazz, Des Moines

Crabby Appleton, Los Angeles

Woodrose, Des Moines

Goo, Des Moines

Source, Iowa City

Sound Minds, Iowa City

Then 2 Now, Florida

The Prentis Bernstein Group, Florida

Northern Harbour, Florida

Bumper, Florida

Heart & Soul Limited, Florida

Charlie Reis, Tampa, Florida

Pacific Gas & Electric, Los Angeles

Innersection, San Francisco

Capitan Country, Eugene, Oregon

Skyline, Eugene, Oregon

Elixir, Rochester, NY to Florida Keys

The Source, Orlando, Florida

Sapphire, Orlando, Florida

 

During the MADD era the band performed with The Rascals and Buckinghams, and after MADD the members were in bands that opened for rock stars including the Doors, Sly and the Family Stone, Three Dog Night, Guess Who, ABBA, the Whispers and George Carlin.  They also appeared on American Bandstand, on Broadway in NYC, at the Grand Ole' Opry in Nashville and the Hard Rock Cafe.

 

 

While Casey Foutz passed away in the 1980's all four core members of MADD are alive and well and three, Sexton, Bernstein and Schomers continue to be involved in bands, music, singing, recording sessions and even teaching music to this day.  The band members can be found in Toronto, New York, Florida and Nebraska where Barry Monohon is an accomplished artist in impressionistic pastel landscapes and mixed media.

 

 

Perhaps the best indication of the exceptional nature of this band of lads from Iowa are the words of their peers from the time period.  When the words come from musicians and recording artists from other parts of the state they have even more significance.  Recently Craig Moore who played in bands the Pagans and GONN from Iowa made these comments about the influence of MADD on bands throughout the state and region.

Reply by CRAIG MOORE on May 29, 2012 at 2:43pm

"MADD didn't make a record, to the best of my knowledge they never wrote a song, but they were the ultimate garage cover band. SO good, they knocked us out totally. We were still beginner's in the Pagans. I don't think we had met Rex & Brent yet when we first saw MADD, and I had only been playing bass for a couple of months. Barry the bass player looked like McCartney & played a Gibson EB-1 violin shaped bass left handed. He was amazing as were all of them. I asked him how long it was going to take me to get a handle on bass and he told me "oh about 6 months and you'll start to get it, start to 'hear' things."

We were practicing & learning songs and listening to records 24/7 of course, and I literally watched the calendar and at that 6 month mark 'viola!' I started hearing octaves and such on the records, started to decipher the 1 from a harmonic note, etc. Still had a LONG way to go but that remark was magic.

MADD did "Rain" letter perfect when it was NEW, at a time when most bands could only listen in awe to the record. The organist was Casey Foutz who eventually left Ottumwa with Phil Jones (Enoch Smoky) and were founding members in LA of Crabby Appleton, "Go Back" etc.

MADD evolved into THE UPSTAIRS PLAYGROUND and got very, very psychedelic, California acid drenched.  Guitarist Mike Sexton was beyond fabulous as a guitarist & vocalist, last time I saw him was 1968 or 1969 and he looked exactly like a taller version of Dickie Peterson (Blue Cheer). He's either a highly paid session musician with a huge ranch in Montana, a rocket scientist, born again, or dead. I have no idea.

David Bernstein the drummer was one of the greatest unknown shit kickers you could imagine.  I heard some vague rumblings about him in the early 70's but never knew where he ended up. I hope he's fine and I hope he never lost his love of music, he was great.

But MADD's bass player had a huge impact on me personally, and the band was idolized thoroughly by The Pagans and GONN, and in fact they inspired both the spelling of our name AND the fact that we adamantly enforced the "no 'THE'" rule, as did MADD. The fact that we had our own hearse was as close as we could get to being as cool as MADD, in our minds. Until we made a record, anyway. I saw this hearse ad about 6 months or so ago and sent it out to Phil Jones just as a reminder of the good old days back here in the Midwest.

I saw Casey back in Ottumwa about 1983 when my band Ready Steady Go was playing a club there. He had been playing with Pacific Gas & Electric in LA and had a heart attack, moved back to the home town to recuperate and get his head together. It was great to see him, he always reminded me of Gene Clark, but he seemed pretty down and not very happy.

I was pleased that he remembered me and the band and all the times we hung out with them. Not too long after that I heard he had another heart attack and died. Very sad. So all you fans of records by GONN, you need to say a 'hail Mary' for Casey and never forget there was a band called MADD that maybe didn't make a record but their impact is with you still, every time you hear GONN or hear another story of the Iowa scene 1965-1968.

They were the ultimate Iowa garage band. "

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MADD is everything a true local band should represent in order to be enshrined in the Iowa Rock n Roll Hall of Fame.  They earned the respect of their peers.  Once on stage they demonstrated exceptional talent as musicians and singers.  They played the most difficult instruments and sang the most complex three-part plus one harmonies at a level far beyond their young years.

As individuals they never hesitated to help people seeking advice on playing or singing techniques.  While they electrified audiences they never lost their humility.  They loved the challenge of mastering complex songs and were never satisfied until their song was as good if not better than the original.

They grew up during the birth of rock and roll and MADD performed through the psychedelic era excelling in the astonishing diverse evolution of music and rock and roll.

Throughout their careers they have been great innovators and ambassadors for the State of Iowa and the rich Iowa musical heritage throughout the nation.

Jim Putnam

Here is how you can reach the band today.

mick.sexton.775@facebook.com

barry.monohon@facebook.com

brian.d.bernstein@facebook.com

michael.schomers.7@facebook.com

 

Memories of MADD - Their signature song

 

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