Showing posts with label Suzanne. Show all posts
Showing posts with label Suzanne. Show all posts

Tuesday, August 13, 2019

The Melchizedek Chronicles - Humility – Can I Be Proud of My Humility?


Humility, the art of being humble.  Sounds simple enough but what does it really mean? 

Good old Ben Franklin had his ideas.  He once wrote about how he decided he needed to work to overcome the Seven Deadly Sins, number one of which is Pride.  After conquering six of the seven, only pride remained, the worst of all deadly sins.  So, he focused on his humility, and in time realized it was hopeless, he could never conquer pride.  Because when he did conquer pride with his humility, he had to be proud of his humility.


Well Ben is not the only one to be frustrated with the pursuit of happiness and overcoming of sins.  But first, what is the basis of the Seven Deadly Sins and Cardinal Virtues?  Contrary to popular opinion, there is no Biblical basis for either list.  Nowhere in the Bible or Teaching of Jesus does scripture say here are the lists.


Of course, there is encouragement to master them but not in the form of a list, just in references to individual sins and virtues throughout the Old and New Testament.  So, they were made up along the way in order to encourage people to focus on sins. 

History of Seven Deadly Sins

The seven deadly sins were first compiled by Pope Gregory I around the year 600. They are pride, greed, lust, wrath, gluttony, envy, and sloth. Gregory also compiled a list of the seven virtues: faith, hope, charity, justice, prudence, temperance, and fortitude. The Bible would validate all of these concepts, but nowhere are they recorded in a list like this and nowhere in the Bible are they specifically referred to as the seven deadly sins or seven virtues.

They do not predate the Ten Commandments which were given at Mt. Sinai around 1450 B.C. It is probably true that they were used extensively to teach principles from God's Word, particularly in the centuries before the invention of the printing press when the Bible was not available for the common man to read and study.


History of the Seven Cardinal Virtues

In the book, “The Seven Cardinal Virtues” Stalker traces the origins of the seven virtues to ancient Greece, written by Aristotle and Plato.  In fact, the Greek philosophers identified the four virtues of wisdom, justice, temperance, and courage as crucial for a person to imbibe.  Later when the New Testament was studied more intently three more virtues were added, charity, hope and faith.  Hence it is common to refer to the initial four virtues as the Cardinal virtues while the later three are termed the Theological virtues.

The origin of the seven heavenly virtues can be traced to the Epic Poem, Psychopathic, containing the battle of the virtues and vices, written in AD 410 by Aurelius Clemens Prudentius. This popular work of the Middle Ages helped in propagating the concept of good virtues against the evil vices across Europe. One could be untouched by the seven deadly sins by inculcating the seven heavenly virtues.


Contribution of the Great Philosophers to the lists

Since they were first presented around the year 600 and 410, and the sins were based on earlier teaching of Aristotle and Plato.  How interesting that two of the most famous philosophers in history laid the foundation for the Christian sins and virtues and they lived between 300 and 470 years before Jesus.  I consider Socrates the third of the most influential philosophers in history and it does not hurt to look at the relationship between the three since their careers overlapped.    
  • Socrates is mostly known through the accounts of classical Greek writers, but Plato describes him as his teacher.
  • Plato’s Academy (AKA the Academy) was founded by Plato in circa 387 BC in Athens.
  • At seventeen or eighteen years of age, Aristotle joined Plato’s Academy in Athens and remained there until the age of thirty-seven (c. 347 BC).
  • Aristotle left Athens and, at the request of Philip of Macedon, tutored Alexander the Great beginning in c. 343 BC.

Socrates, born in Athens in 470 BC, is often credited as one of the founders of Western philosophy. The cloud of mystery surrounding his life and philosophical viewpoints propose a problem; a problem so large that it’s given a name itself: The Socratic Problem. Since he did not write philosophical texts, all knowledge related to him is entirely dependent on the writings of other people of the time period. 

Plato, student of Socrates, also has mystery surrounding him. His birth day is estimated to fall between 428 BC and 423 BC. He’s known for being the founder of the Academy in Athens, the first institution of higher learning in the Western world.

Aristotle, student of Plato, lived from 384 BC-322 BC. At eighteen, he joined Plato’s Academy in Athens and remained there until the age of thirty-seven. There, he honed his talents of understanding the world.


These three laid the foundations of many of the beliefs of the rest of the Western world. Philosophers such as John Locker and Descartes use the theories these brilliant minds brought forth in their own works.  What a remarkable century when all three walked the earth.

So back to my mission, humility, I have now destroyed any Biblical origin for the list of sins and virtues and traced their origins to three centuries before Jesus amidst a group of pagan scholars who explained about everything in the world.

All my life I have been fascinated at how three such brilliant and productive people could have been on Earth during the same period and had such a lasting impact on everything we do today, nearly 2,500 years later.  It was almost as if God sent these “adepts” to change the world and get it back on track.  Not unlike the chaos of today.


Back to the Lists of Today

Regardless of the source, we have these lists because the Church liked the idea of such things, it was a new way to generate money for the Church through the sale of indulgences, and it was only appropriate to tie these famous heathen scholars to the Church for credibility.

Pride is the deadliest of the deadly sins, and pride can only be counteracted with humility.  Certainly, humility is the polar opposite of pride, thus satisfying the need for polarization in Creation while attacking the number one deadly sin.


However, it leaves me a bit perplexed because there are some pretty extreme acts of pride that can be committed, so are there parallel extreme acts of humility needed to offset the extreme acts of pride?  If so, does that mean humility can be deployed as a means of targeting and defeating pride, adjusting to whatever extremes pride throws its way?

I tend to view humility in a more passive way that is not interest in beating down and punishing the opposition, whether it be pride in the form of conceit, self-confidence, self-importance, arrogance, or stupidity.  To me pride agitates, humility calms, it works to bring things back in balance.

Somehow it instinctively seeks out and finds the middle ground, the compromise, and quickly shepherds the far more aggressive and obvious aspects of pride to that point.  Humility can be a very deceptive and decisive tool in your weaponry.  Often underestimated, always overlooked, it prefers to operate in silence, invisibly avoiding attention.


While humility seems to be desperately needed because of the vast legions of cocky, chest-thumping, righteous, self-centered, conceited know-it-alls inhabiting our world, it might be better used and more successful at helping those who are good but need some guidance.

Why do I say that, because there is an aspect of humility that can be counter-productive to the teachings of Jesus, and can be a tool of the Dark Side to disrupt the path of the righteous when seeking Our Father?

Often the greatest progress on the Road to Kingdom Come can result from removing obstacles to your path rather than learning new things.  Since the entire spectrum of sin deals with a reality or dimension beyond our everyday physical life on Earth, it plays out more as metaphysical warfare in the ethers of space.

Most sins are an emotional rejection of truth that then are manifested in your physical reality.  The emotional rejection of right is played out in the mind of the sinner where free will makes a choice counter to the teachings of Jesus.

Stop for a minute and ask yourself, what in the world does humble little me have that would be of interest to Satan and the Dark Side.  Well humble little you just refused in that assessment to recognize your power, your strength, and your road to salvation.

What you have, what you have forgotten, and what you must find and remember, is the perfect love of Our Father, the Creator.  That astonishing miracle comes to you in the form of your Creation, duh!!!, in the gifts Father Creator has embedded in you, in the Father’s desire to see you use those gifts to help others find the way back to the garden, and in receiving (but not yet acknowledging) the Perfect love of the Father for all of Creation.


So, what is an obstacle to your purpose and mission in life?  It would be so easy for anyone associated with the Dark Side to use humility as a ploy to convince you that it would be egotistical or conceited to think you could excel above all others in anything in your life.  Or to say you cannot fulfill the Father’s desires for you to use those gifts, because you might give people the impression you know what is best for people.

Jesus never needed pages and pages of laws, rules, orders, definitions, and court rulings to determine what is right and wrong.  Why do we need such things?  People who preach conformity, preach normality, preach continuity, have forgotten Our Father is perfection and there is no reason his creations cannot represent perfection.  In fact, his desire is for you to achieve perfection in the gifts he gave you.

People who press the issue of humility on you are trying to prohibit you from achieving the recognition from the Creator for your actions.  If it is not intentional, then they have been duped by the Dark Side to take such a stand.  They work to suppress your efforts to use the gifts of the Creator by excelling in the gifts he gave you.

Humility should be a source of inspiration and nourishment for the soul.  It cannot be a source of limitation, of being an obstacle between you and Our Father’s desires for you.  Humility means you acknowledge the love and gifts of the Creator and excel in your use of them to help, or inspire others.  That is your expression of thanks, that is what the Creator wants to see.


Enlightened people and those on the road to enlightenment desire to seek out the truth, and desire to please Jesus and the Father very much.  When they are successful they seem to infect people all around them with the love and grace of the Father they have received and the compassion, empathy, and spiritual growth they have attained from the teaching of Jesus.

Suzanne singing Pie Jesu
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Just the mere act of turning down the volume and moderating the blood pressure in these good souls touches the people around them, radiating calmness, warm thoughts, joy, happiness, satisfaction, and respect for others.  That pleases Jesus.


People pleasing the Father and Jesus do not have to be poor, do not have to dress in rags, do not have to suffer from hunger, drug addiction, sexual abuse or anything else, in short, they do not have to be the epitome of humility forsaking all that makes them special so as not to disrupt or disturb those who are not special.

Give me a break.

Jesus was the model for humility, yet he changed water into wine, healed the sick, drove out demons, and even raised the dead.  As if that was not a sufficient example of the good in exceptionalism, he then was crucified, died, raised himself from the dead (with a little help from the Creator), then sailed off into the sky to Heaven with Moses and Elijah on either side while promising to return one day.


He taught there was nothing he did we could not do, if we just have faith.  We are all the children and Creation of Father Creator.

Seriously, we can do anything you can do?

My soul, my spirit, my heart all long to be just like Jesus, but my mind says don’t be a fool, you are not flying anywhere on your own.  I have work to do.

Fortunately, I also have a hyperactive imagination that kicks in just when my mind most needs it, when it thinks it knows everything, has all the answers, or starts to view things from a superior perspective.  The only thing that being wealthy, sophisticated, or intellectual has to do with it is to make it harder to be humble.  

Sometimes being humble is going as far as you can on three flat tires.  It is running out of gas going down the mountain rather than up the mountain.  Good things come to those who are humble up to a point, the point being when humility becomes that obstacle to your achieving perfection.  The point when it stands in the way of your full use of the gifts the Creator gave you.  The point where the Father’s desires for your success and perfection are derailed by an overzealous humility.


You must not use humility as an excuse to not seek perfection in the eyes of God and Jesus, for perfection in the perfect love of Father Creator is what the Father desires.  Nor should you use it as an excuse to mask your fear of failure, of disappointment, rejection, or just plain dumb things you may be inclined to do in the course of life.

Humility can be mastered without sacrificing the expectation, desires, and love of the Father.  There is nothing wrong with being right, nothing weak about being strong, nothing bad about being good.

Do I ignore the effort I put into being good at what I do?  Do I reject as excessive the knowledge I learn about something in order to excel?  Do I discount the lessons I learned, both good and bad, from my experiences?  Do I, in the interest of being humble, let other people take credit for what I create?

Suzanne singing St.Theresa's Prayer
Click to listen

If I did it might be the “humble” way to approach life in order to master humility, but does it please the Father, who is perfection?  That don’t seem right to me, the title of a song I wrote.

It sits on a shelf with a few hundred other songs I wrote, victims of my humble view of myself as a prolific writer, poet, or composer.  That seems like an extreme use of humility, to deny myself the opportunity to share a part of my heart and soul with you through music.

I’m counting on getting over that notion before Judgement Day.


Yet another problem with humility I see is it puts a great big bullseye on your back for those of the Dark Side to find you, because they live to disrupt the salvation of all souls, especially yours, and block any actions pleasing to God.

That sucks too.

In the end we have to strike a balance in our lives.  We honor the Father by using the gifts he gave us to the best of our ability.  We please Our Father by doing whatever we do in a humble way.  We succeed in our mission when miracles do happen.

Kind of a sharp contrast or dilemma, excel or not, succeed or not, be who we think we are or we think we are meant to be.

In closing, let me share an experience that demonstrates what I mean.  Once I met a young woman who was the pinnacle of perfection, as I know it.  She lived in a state of Grace.  Somehow, her transfiguration was achieved early in life or she was born with it.


She loved and served Jesus, talked to him every day, and did nothing without asking his permission first.  Suzanne was the epitome of humility, safely secure within a state of Grace, and she was happy, fearless, and lived for the moment.  At the same time she radiated that golden glow of Father Creator to a degree that she was virtually invisible to most around her.

I spent many hours talking to her, knowing that her time with me would be short as so many people needed her message of inspiration, hope and joy.  Always she had a soft smile for everyone and never pushed an agenda of what they needed to be saved.  Her dress was humble and understated her beauty and remarkable faith in Jesus.

Shortly before she left to continue her journey, she said she played the harp and loved to sing to the Lord and Jesus.  As she prepared to drive away, she gave me a CD and said I might enjoy it.


It was her, playing beautiful music on her harp, singing angelic songs and praising Jesus and the Lord.  There was accompaniment from some nuns and minimal music so as not to interfere with the message.   The recording was clearly done in a magnificent Cathedral.

The sound was the most soothing, beautiful, well produced album I ever heard. Mind you I had a lot of involvement in Christian and Gospel music working in the industry in Nashville and doing sessions in some exceptional studios.  A nationwide radio show I created featured and introduced many Christian artists to the world.

Suzanne singing How Great Thou Art
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The album Suzanne gave me was at the top of the charts from my perspective, a magical voice with perfect pitch, and a production second to none.  I listened to the CD after she left.  Then I looked at the disc.  She titled the album “My Soul Magnifies the Lord,” half the songs were called “Quiet Meditations” and half were called “Sacred Hymns.”   It was a masterpiece, and her name was nowhere to be found on the CD or cover.

A year later she wrote and told me she wanted to share her gifts, but not attention for performing them as it might distract from the message in the music.  No greater proper and perfect demonstration of humility could be found, and all it took was an angel to show me the way.  


In summary, if humility was the answer it would be a Cardinal Virtue, but it did not make the cut.  However, there is a time and place for it as long as you do not let it stop you from seeking perfection in the gifts you received from the Creator, from trying to live up to the Creator’s desires for you, and from finding joy and happiness in our world.
                        

Friday, November 11, 2016

CPT Spirits in the Sky - Leonard Cohen - Beloved Canadian Poet, Singer, Songwriter, and Legend

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Yesterday we lost another of the most prolific songwriters and storytellers in music in Leonard Cohen, whose haunting songs became better known than Leonard.  He will be missed but his difficult life path and his beautiful contributions to music history will never be forgotten.

Leonard Cohen - So Long Marianne
(Double click for full screen)



Yesterday, November 10, the following message appeared on the Leonard Cohen website.




Leonard Cohen
It is with profound sorrow we report that legendary poet, songwriter and artist, Leonard Cohen has passed away.

We have lost one of music’s most revered and prolific visionaries.
A memorial will take place in Los Angeles at a later date.  The family requests privacy during their time of grief.
**
C’est avec une profonde tristesse que nous vous annonçons que le poète, auteur-compositeur et artiste légendaire, Leonard Cohen est décédé.

Le monde de la musique a perdu un de ses visionnaires les plus prolifiques et vénérés.

Une cérémonie aura lieu à Los Angeles dans les prochains jours.  La famille souhaite vivre le deuil en toute intimité.

The following tribute to Cohen by The New York Times says it all.



Leonard Cohen, Epic and Enigmatic Songwriter, Is Dead at 82
Leonard Cohen, the Canadian poet and novelist who abandoned a promising literary career to become one of the foremost songwriters of the contemporary era, has died, according to an announcement Thursday night on his Facebook page. He was 82.

Mr. Cohen’s record label, Sony Music, confirmed the death. No details were available on the cause. Adam Cohen, his son and producer, said: “My father passed away peacefully at his home in Los Angeles with the knowledge that he had completed what he felt was one of his greatest records. He was writing up until his last moments with his unique brand of humor.”

Over a musical career that spanned nearly five decades, Mr. Cohen wrote songs that addressed — in spare language that could be both oblique and telling — themes of love and faith, despair and exaltation, solitude and connection, war and politics. More than 2,000 recordings of his songs have been made, initially by the folk-pop singers who were his first champions, like Judy Collins and Tim Hardin, and later by performers from across the spectrum of popular music, among them U2, Aretha Franklin, R.E.M., Jeff Buckley, Trisha Yearwood and Elton John.

Mr. Cohen’s best-known song may well be “Hallelujah,” a majestic, meditative ballad infused with both religiosity and earthiness. It was written for a 1984 album that his record company rejected as insufficiently commercial and popularized a decade later by Jeff Buckley. Since then some 200 artists, from Bob Dylan to Justin Timberlake, have sung or recorded it. A book has been written about it, and it has been featured on the soundtracks of movies and television shows and sung at the Olympics and other public events. At the 2016 Emmy Awards, Tori Kelly sang “Hallelujah” for the annual “In Memoriam” segment recognizing recent deaths.

Leonard Cohen - Hallelujah
(Double click for full screen)


Mr. Cohen was an unlikely and reluctant pop star, if in fact he ever was one. He was 33 when his first record was released in 1967. He sang in an increasingly gravelly baritone. He played simple chords on acoustic guitar or a cheap keyboard. And he maintained a private, sometime ascetic image at odds with the Dionysian excesses associated with rock ’n’ roll.
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At some points, he was anything but prolific. He struggled for years to write some of his most celebrated songs, and he recorded just 14 studio albums in his career. Only the first qualified as a gold record in the United States for sales of 500,000 copies. But Mr. Cohen’s sophisticated, magnificently succinct lyrics, with their meditations on love sacred and profane, were widely admired by other artists and gave him a reputation as, to use the phrase his record company concocted for an advertising campaign in the early 1970s, “the master of erotic despair.”

Early in his career, enigmatic songs like “Suzanne” and “Bird on a Wire,” quickly covered by better-known performers, gave him visibility. “Suzanne” begins and ends as a portrait of a mysterious, fragile woman “wearing rags and feathers from Salvation Army counters,” but pauses in the middle verse to offer a melancholy view of the spiritual:

And Jesus was a sailor when he walked upon the water,
And he spent a long time watching from his lonely wooden tower,
And when he knew for certain only drowning men could see him,
He said “All men will be sailors then until the sea shall free them.”
But he himself was broken, long before the sky would open,
Forsaken, almost human, he sank beneath your wisdom like a stone.


In 2008, Mr. Cohen was inducted into the Rock and Roll Hall of Fame, which described him as “one of the few artists in the realm of popular music who can truly be called poets” and praised him for having “raised the songwriting bar.” In 2010, the National Academy of Recording Arts and Sciences, the Grammys’ group, gave him a lifetime achievement award, praising him for “a timeless legacy that has positively affected multiple generations.”

Wearing a bolo tie and his trademark fedora, Mr. Cohen dryly made light in his acceptance speech of the fact that none of his records had ever been honored at the Grammys. “As we make our way toward the finish line that some of us have already crossed, I never thought I’d get a Grammy Award,” he said. “In fact, I was always touched by the modesty of their interest.”

Leonard Norman Cohen was born in Montreal on Sept. 21, 1934, and grew up in the prosperous suburb of Westmount. His father, Nathan, whose family had emigrated to Canada from Poland, owned a successful clothing store; he died when Leonard was 9, but his will included a provision for a small trust fund, which later allowed his son to pursue his literary and musical ambitions. His mother, the former Masha Klonitzky, a nurse, was of Lithuanian descent and the daughter of a Talmudic scholar and rabbi. “I had a very messianic childhood,” Mr. Cohen would later say.

In 1951, Mr. Cohen was admitted to McGill University, Canada’s premier institution of higher learning, where he studied English. His first book of poetry, “Let Us Compare Mythologies,” was published in May 1956, while he was still an undergraduate. It was followed by “The Spice-Box of Earth” in 1961 and “Flowers for Hitler” in 1964. Other collections would appear sporadically throughout Mr. Cohen’s life, including the omnibus “Poems and Songs” in 2011.

A period of drift followed Mr. Cohen’s graduation from college. He enrolled in law school at McGill, then dropped out and moved to New York City, where he studied literature at Columbia University for a year before returning to Montreal. Eventually, after a sojourn in London, he ended up living in a house on the Greek island of Hydra, where he wrote a pair of novels: “The Favorite Game,” published in 1963, and “Beautiful Losers,” published in 1966.

“Beautiful Losers,” about a love triangle all of whose members are devotees of a 17th-century Mohawk Indian Roman Catholic saint, gained a cult following, which it retains, and eventually sold more than three million copies worldwide. But Mr. Cohen’s initial lack of commercial success was discouraging, and he turned to songwriting in hopes of expanding the audience for his poetry.


“I found it was very difficult to pay my grocery bill,” Mr. Cohen said in 1971, looking back at his situation just a few years earlier. “I’ve got beautiful reviews for all my books, and I’m very well thought of in the tiny circles that know me, but I’m really starving.”
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Within months, Mr. Cohen had placed two songs, “Suzanne” and “Dress Rehearsal Rag,” on Judy Collins’s album “In My Life,” which also included the Lennon-McCartney title song and compositions by Bob Dylan, Randy Newman and Donovan. But he was extremely reluctant to take the next step and sing his songs himself.

“Leonard was naturally reserved and afraid to sing in public,” Ms. Collins wrote in her autobiography, “Sweet Judy Blue Eyes: My Life in Music” (2011). She recalled him telling her: “I can’t sing. I wouldn’t know what to do out there. I am not a performer.” He was “terrified,” she wrote, the first time she brought him onstage to sing with her, in the spring of 1967.

Leonard Cohen - Suzanne
(Double click for full screen)


Later that year, after being signed to Columbia Records by John Hammond, the celebrated talent scout who also signed Bob Dylan and Bruce Springsteen, Mr. Cohen released his first album. Its simple title, “Songs of Leonard Cohen,” and its cover, a portrait of the artist gazing solemnly into the camera, matched the music, which was spare and unembellished, in stark contrast to the psychedelic style that then prevailed.

The record began with “Suzanne,” which was already being performed by folk singers everywhere thanks to the popularity of Ms. Collins’s version. It also included three other songs of great impact that would become staples of Mr. Cohen’s live shows, and that numerous other artists would record over the years: “Sisters of Mercy,” “So Long Marianne” and “Hey, That’s No Way to Say Goodbye.”

His second album, “Songs From a Room,” released early in 1969, cemented his growing reputation as a songwriter. “The Story of Isaac,” a retelling of the biblical tale of Abraham and Isaac, became an anthem of opposition to the war in Vietnam, and “Bird on a Wire” went on to be recorded by performers including Joe Cocker, Aaron Neville, Johnny Cash and Willie Nelson.


In 1971, Mr. Cohen released “Songs of Love and Hate,” which contained the cryptic and frequently covered “Famous Blue Raincoat,” but after that his production began to tail off and his live performances became less frequent. He released three more albums during the 1970s but, amid bouts of depression, only two in the 1980s and one in the 1990s.

The quality of his songs remained high, however: In addition to “Hallelujah,” future standards like “Dance Me to the End of Love,” “First We Take Manhattan,” “Everybody Knows” and “Tower of Song” date from that era.
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Mr. Cohen, raised Jewish and observant throughout his life, became interested in Zen Buddhism in the late 1970s and often visited the Mount Baldy monastery, east of Los Angeles. Around 1994, he abandoned his music career altogether and moved to the monastery, where he was ordained a Buddhist monk and became the personal assistant of Joshu Sasaki, the Rinzai Zen master who led the center, who died in 2014. He took the name Jikan, which means “silence.”

During the remainder of the decade, there was much speculation that Mr. Cohen, rather than merely taking a sabbatical, had stopped writing songs and would never record again. But in 2001, he released “Ten New Songs,” whose title suggests it was written while he was in the monastery. It was followed in 2004 by “Dear Heather,” an unusually upbeat album.

In 2005, Mr. Cohen sued his former manager, Kelley Lynch, accusing her of defrauding him of millions of dollars that he had set aside as a retirement fund, leaving him with only $150,000 and a huge tax bill and forcing him to take out a new mortgage on his home to cover his legal costs. The next year, after Ms. Lynch countersued, a judge awarded Mr. Cohen $9.5 million, but he was unable to collect any of the money.


The legal battles may have soured Mr. Cohen’s mood, but they did not seem to damage his creativity. In 2006, he published a new collection of poems, “Book of Longing,” which the composer Philip Glass set to music and then took on tour, with Mr. Cohen’s recorded voice reciting the words and Mr. Glass’s ensemble performing the music.

In 2008, Mr. Cohen hit the road for the first time in 15 years for a grueling world tour, which would continue, with a few short breaks, through 2010. He was driven, he acknowledged, at least in part by financial necessity.

“It was a long, ongoing problem of a disastrous and relentless indifference to my financial situation,” he told The New York Times in 2009. “I didn’t even know where the bank was.”

Combined with a pair of CDs and accompanying DVDs recorded in concert, “Live in London” and “Songs From the Road,” the constant touring, before audiences often larger than those he had enjoyed in the past, clearly eased Mr. Cohen’s financial problems. Billboard magazine estimated that the 2009 leg of the tour alone earned him nearly $10 million.

Over that three-year period, Mr. Cohen performed nearly 250 shows, many of them lasting more than three hours. He seemed remarkably fit and limber, skipping across the stage, doing deep-knee bends and occasionally dropping to his knees to sing.
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The shows were not without incident: During a show in Valencia, Spain, in 2009, he fainted, and early in 2010 one segment of the tour had to be postponed when he suffered a lower back injury. He recovered, however, and in 2012 he released “Old Ideas,” his first CD of new songs in more than seven years, and embarked on another marathon tour.

That pattern of extensive touring and recording continued into the decade. In 2014, for instance, Mr. Cohen released a CD of mostly new material, “Popular Problems,” as well as a three-CD, one-DVD set called “Live in Dublin.” His final studio album, “You Want It Darker,” was released in October 2016.

Mr. Cohen never married, though he had numerous liaisons and several long-term relationships, some of which he wrote about. His survivors include two children, Adam and Lorca, from his relationship with Suzanne Elrod, a photographer and artist who shot the cover of his 1973 album, “Live Songs,” and is pictured on the cover of his critically derided album “Death of a Ladies’ Man” (1977); and three grandchildren.


To the end, Mr. Cohen took a sardonic view of both his craft and the human condition. In “Tower of Song,” a staple of live shows in his later years, he brought the two together, making fun of being “born with the gift of a golden voice” and striking the same biblical tone apparent on his first album.

Now you can say that I’ve grown bitter, but of this you may be sure
The rich have got their channels in the bedrooms of the poor
And there’s a mighty judgment coming, but I may be wrong
You see, you hear these funny voices in the tower of song.


“The changeless is what he’s been about since the beginning,” the writer Pico Iyer argued in the liner notes for the anthology “The Essential Leonard Cohen.” “Some of the other great pilgrims of song pass through philosophies and selves as if through the stations of the cross. With Cohen, one feels he knew who he was and where he was going from the beginning, and only digs deeper, deeper, deeper.”
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