Friday, August 09, 2019

The Melchizedek Chronicles – What do the One God, the Father, and the Mystifying Sophia all share – perhaps the Holiest of Holy Trinities!



Today we solve one of the Greatest Mysteries of our Lives!
From our perspective as creations of the Creator, it would seem impossible to solve.  So, what about looking at it from the perspective of the Divine Beings or spirits, who are also creations like us but without our body and mind.  Divine Beings beyond the reaches of our physical existence.

Melchizedek seems to be a special Divine entity, because so little is known about him yet so much power is attributed to him in Heaven and on Earth.  When he talks about God, he never refers to him by that name.  He calls God the “Unknowable One” because all that exists is God, and only the Supreme Being, the “Unknowable One,” knows all.  As God’s creations we only know what the “Unknowable One” created us to know.


However, Melchizedek says the “Unknowable One” anticipated that humankind would try to attach a gender to the “Unknowable One” since we need to humanize our God to attempt comprehend him.


With our tendency to see things simply, in our limited world of definitions, and in recognition of the fact we would evolve first into a patriarchal society, we would be inclined to identify the “Unknowable One” our God, as a male.  Yet the “Unknowable One” is not just a male, but everything, to a degree we cannot even imagine.  Still, we view it as God or the Father.

Haga Sophia Church, Istanbul, Turkey


In time, and when humans reached a point where they might spiritually evolve to a higher understanding, the truth would be made known to us.  That time is now.




All of Creation consists of polarity from the sub-atomic structure to the human mind to the choices of free will to morality.  Chief among these is the miracle of procreation, between woman and man, where their Oneness results in a new creation, a baby child.


There is a counterpart to God the Father, sort of a mirror reflection according to Melchizedek, the Goddess Sophia.


Sophia, yet another entity of the Divine World who is the mystery of all mysteries, along with the Father, are not creations of the “Unknowable One” but are both the Godhead so to speak.  It is as if they are mirror images of the “Unknowable One,” equal yet offering different aspects of the Creator.


Sophia is identified through sacred scripture, inspired thought, and cultural evolution in many, many ways.  She has been called the Goddess of Wisdom, Goddess of Heaven, Mother of the Stars, an aeon, Angel of Manifested Thought who created all things, Spirit of God, His mother, bride of Christ and much more.


In truth, she is all of those things and everything else because she, along with the Father, are the “Unknowable One!”  The “Unknowable One,” Sophia, and the Father are all One and the same, the holiest of all Trinities!


Melchizedek says Sophia is immortal as a Divine entity, beyond incarnating on Earth as a human, just as God and the Father.  However, she can connect to Earth through others when her presence is needed to bring about change.


This was achieved through the Magdalen (Mary Magdalen), also a Divine entity but allowed to be born to Earth just like Jesus.  A thousand years later it was also allowed through Hildegard von Bingen, the incredible mystic, nun, artist, teacher, doctor, theologian, composer, saint, etc., etc. of the twelfth century again as a wake-up call for humankind.


Sophia has returned again in spirit in this lifetime to bring back into balance the polarity between male and female, to show neither must be allowed to dominate but they must work in harmony, compassion, and love to help awaken all humans to the Oneness of the “Unknowable One.”


The Wisdom, Compassion, Love, Imagination and Truth of the “Unknowable One” can only be experienced when man and woman think, act, pray and govern as One.  There can be only One dominant force in creation, the Oneness of the “Unknowable One.”


We must embrace the teaching and the miracles of God’s son Jesus.  We should pray to Sophia, the Father, Jesus, the Mother Mary, and the Magdalen to enlighten us to the Divine Will of the “Unknowable One,” our Creator.  When we do our potential in the service to the Creator will have no boundaries.

Thursday, August 08, 2019

CPT Flashback - August 8, 1969 - 50 years ago today the Beatles, greatest rock group in history, released their final album, Abbey Road

Enjoy a trip down memory lane as you check out the history, back story, and results of the last album recorded by the Beatles.  It was the end of the long and winding road of the Fab Four from Liverpool.




Here Comes the Sun – George Harrison
Subtitulada en Españo










Why The Beatles’ ‘Abbey Road’ Album Was Streets Ahead Of Its Time

With some of the most magisterial songs The Beatles ever wrote, ‘Abbey Road’ was the final album they recorded, and now stands as many people’s favourite.

Published August 8, 2019
by Richard Havers


Prior to 26 September 1969, most people in the world were blissfully unaware that Abbey Road was the location of EMI’s London recording studios. Some keen fans may have spotted the name in news reports of The Beatles’ activities, but this was a time when it was of little importance to most fans where something was recorded. Ironically, given the album’s title, not all of Abbey Road was recorded at Abbey Road, and, in truth, the title is as much about the street and the zebra crossing outside as it is about the studio itself.

But when all is said and done, the album is for many, including this writer, the absolute pinnacle of the band’s achievements. All this, despite having been recorded as the band was breaking up amid internal strife and bitterness.

“A natural born gas”
Abbey Road was The Beatles’ 11th studio album and the very last to be recorded (their 12th – and last-released – studio album, Let It Be, was mostly recorded prior to this record). Rolling Stone magazine called it “complicated instead of complex”, while Nik Cohn, writing in The New York Times, suggested that “individually” the songs are “nothing special”, The Guardian called the album “a slight matter”, and the Detroit Free Press suggested, “We expected inventiveness. We got a good LP.”

However, Chris Welch, writing in Melody Maker, felt just the opposite: “The truth is, their latest LP is just a natural born gas, entirely free of pretension, deep meanings or symbolism.” Similarly enthusiastic, The Record Mirror said that Abbey Road was “every bit as good as the last three” albums by the group. History, too, has been much kinder, with many now citing this as their favourite Beatles album.


What makes Abbey Road a masterpiece?
What is it that makes Abbey Road a masterpiece? Well, the breadth of the musical vision, the sheer scale of the band’s collective musical imagination, and the audacity of it all, at a time when The Beatles were coming to the end of their time together.

And then there are the two George Harrison masterpieces, ‘Here Comes the Sun’ and ‘Something’; both rank alongside the best songs the band ever recorded. Of the former, uDiscover’s Martin Chilton, writing in the Daily Telegraph, says “it’s almost impossible not to sing along to” – and he’s right.

‘Something’ is sublime, the perfect love song and John Lennon’s favourite track on the album. Often prior to performing it in concert, Frank Sinatra would describe it as “the greatest love song ever written” (while also erroneously saying it was his favourite “Lennon and McCartney composition”).


Something to luxuriate in
Side Two’s 15-minute “medley” begins with ‘You Never Give Me Your Money’, a Paul McCartney song. It transitions beautifully into ‘Sun King’, which was written by John and features John, Paul, and George’s impeccable harmonies. From there the medley runs into two more Lennon songs, ‘Mean Mr Mustard’ and ‘Polythene Pam’ (both written in India). Then it’s a quadruple shot from McCartney: ‘She Came In Through The Bathroom Window’, the beautiful ‘Golden Slumbers’ and ‘Carry That Weight’ (which includes elements from ‘You Never Give Me Your Money’), before the medley closes with ‘The End’.

Opinion is divided among some fans and critics about some of the remaining tracks. However, there is no disputing the power, no denying the magnificence, of two of John Lennon’s compositions. ‘Come Together’ is one of the great opening tracks on any album. Likewise, ‘I Want You (She’s So Heavy)’ just takes the band to a place they had never been before… towering.

The songs not entirely recorded at Abbey Road were ‘Something’, which features some overdubs recorded at Olympic Studios in Barnes, West London. For ‘I Want You (She’s So Heavy)’ the band recorded the rhythm track in February 1969, at Trident Studios in Soho’s Wardour Street, where a composite of the song was then assembled. Work continued on the song until August (including a session on 8 August, when the album’s cover shoot also took place), as recordings were added to the original Trident tape; the finished song, completed at Abbey Road, was another composite made from two versions of the song. Meanwhile, ‘You Never Give Me Your Money’ was started at Olympic in May 1969, and then finished at Abbey Road over a number of sessions in July and August.

Abbey Road is far greater than the sum of its parts, a record that, more than any other Beatles album, stands the test of time when played as a whole. It is not an album to cherry-pick tracks on random play – this is one to put on, to luxuriate in ‘Come Together’, and to finish with a smile on your face as Paul sings about Her Majesty being “a pretty nice girl” on the closing, “hidden” track.

The 5th Beatle Sir George Martin

TRACK LISTING

·         Come Together
·         Something
·         Maxwell's Silver Hammer
·         Oh! Darling
·         Octopus's Garden
·         I Want You (She's So Heavy)
·         Here Comes the Sun
·         Because
·         You Never Give Me Your Money
·         Sun King
·         Mean Mr. Mustard
·         Polythene Pam
·         She Came in Through the Bathroom Window
·         Golden Slumbers
·         Carry That Weight
·         The End
·         Her Majesty


   Album Selections

Beatles Come Together
(Double click for full screen)



Beatles Something



Beatles Maxwell's Silver Hammer



Beatles Oh! Darling



Beatles Octopus's Garden



Beatles Because



Beatles Golden Slumbers



Beatles Carry That Weight



Beatles The End



Beatles Her Majesty






Here Comes the Sun Background Story



Saviors of the 20th Century - Hitler and Stalin - Striking Similarities between Leaders of the Evil Empires


Saviors of the 20th Century - Hitler and Stalin
The war of annihilation between the Nazis and Communists

Saviors is a historical narrative by Jim Putnam tracing the history of Nazism and Communism and the rise to power of Hitler and Stalin. This book unveils many secrets of the Nazis and Communists long hidden in classified records and secret KGB archives in the frontier outside Moscow.



ISBN 0964599317
LCCN 2004095812

Available worldwide through Amazon Kindle books



Excerpt:

Striking Similarities - Hitler and Stalin


Hitler’s family name was changed.
Stalin’s family name was changed.

Hitler’s father beat him.
Stalin’s father beat him.



Hitler’s mother gave birth to 3 children before Adolf, all died.
Stalin’s mother gave birth to 3 children before Josef, all died.

Hitler was a sickly child.
Stalin was a sickly child.


Hitler’s father virtually abandoned his family.
Stalin’s father virtually abandoned his family.

Hitler was raised and loved by his mother.
Stalin was raised and loved by his mother.


Hitler very much loved his mother.
Stalin very much loved his mother.

Hitler was a Catholic.
Stalin was an Eastern Orthodox.


Hitler’s mother wanted him to be a Catholic priest.
Stalin’s mother wanted him to be an Orthodox priest.

Hitler attended a Benedictine monastery.
Stalin attended Orthodox theological school and the seminary.


Hitler’s father died when he was 13.
Stalin’s father died when he was 11.

Hitler was an exceptional student at an early age.
Stalin was an exceptional student at an early age.


Hitler developed into an excellent artist in school.
Stalin developed into an excellent artist in school.

Hitler failed to graduate from high school.
Stalin failed to graduate from high school.


Hitler never attended university.
Stalin never attended university.

Hitler lost his faith by the time he was 13.
Stalin lost his faith by the time he was 13.


By age 20 Hitler was a social dropout living on his own.
By age 20 Stalin was a social dropout living on his own.

Marxism fascinated Hitler.
Fascism fascinated Stalin.


Hitler lived in Vienna in 1913.
Stalin lived in Vienna in 1913.

Hitler served time in jail for his political beliefs.
Stalin served time in jail for his political beliefs.


Hitler, born in Austria, moved to Germany to pursue politics.
Stalin, born in Georgia, moved to Russia to pursue politics.

At age 33 Hitler led the revival of the Nazi party.
At age 33 Stalin led the revival of the Bolshevik party.


At age 35 Hitler wrote “Mein Kampf” outlining Nazi policy.
At age 34 Stalin wrote “Marxism and the National Question” outlining Bolshevik policy.

At age 42 Hitler was in control of the Nazi regime.
At age 42 Stalin was in control of the Communist regime.


In 1931 Hitler’s love committed suicide with his pistol.
In 1932 Stalin’s love committed suicide with his pistol.

Hitler’s love was 22 years younger.
Stalin’s love was 21 years younger.


At age 45 Hitler started purges of Nazi party foes.
At age 45 Stalin started purges of Communist party foes.

Hitler admired and feared Stalin.
Stalin admired and feared Hitler.


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This stunning list of similarities is but a sampling of the fascinating look at history I was able to document. Readers say they are overloaded with new information, plot twists and turns, and motivations previously buried in secrecy. It is a must read for seekers of truth. Saviors of the 20th Century Hitler and Stalin is available for ordering through Amazon Kindle books worldwide on the Internet.