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MADD
Iowa's Greatest Garage Band of the 1960's
Iowa's Greatest Garage Band of the 1960's
The Band history
Mick Sexton - Barry Monohon
Brian David Bernstein
Michael Schomers - Casey Foutz
Hall of Fame
Nomination
submitted by
Jim Putnam
Hall of Fame Nomination
MADD Band History
What a time to be involved
as they were in the first generation of Baby Boomers and were exposed to the
most turbulent times in terms of world and national events while the music
industry was going through the greatest changes since the radio revolutionized
the music scene.
Television brought America into the far reaches of the nation's
deep music legacy from the Grand Ole Opry in Nashville
to Dick Clark's American Bandstand in Philadelphia . Popular music was on the Hit Parade and
musicals dominated the Broadway scene in NYC.
There was a proliferation
of genre friendly radio stations across the land and with the advent of rock
and roll and the soaring popularity of country music suddenly tours with a
cavalcade of stars were making their way throughout the land.
A young kid in the 1950's
was torn between the country sounds of Hank Williams, the rock and roll of Bill
Haley and the Comets, Elvis and Buddy Holly, the soul of Louis Armstrong, the
blues by the likes of Howlin' Wolf, Muddy Waters, Willie Dixon and Jimmy Reed, the
doo wop of the Platters, Coasters and Del Vikings, the pop songs of Teresa
Brewer, Rosemary Clooney, Perry Como and Doris Day and the folk songs of Peter,
Paul and Mary, The Kingston Trio and others to mention a few.
With the commercial
success of Fender and then Gibson electric guitars in the early 1950's the
revolution in music styles was matched by the revolution in instruments with
technical innovations often driving the emerging rock and roll era.
This was the culture of
music when each of the lads of MADD began their odyssey in the music
scene. They were the first generation
bombarded by all forms and styles of music from radio, television, movies and
Broadway shows. It was the Golden Age of
America
and the Golden Age of rock and roll.
Before the age of
computers, cell phones and multi-track digital recording, when electric guitars
were still new and rock and roll was just beginning to discover a niche as a
new music genre, a group of young lads in Ottumwa set out on the path that would
bring them together in their high school years and launch them into a lifetime
love of music.
MADD was
a journey from honky tonks to country clubs, street dances to college campuses,
and television to the State Fair.
Members grew from junior high marching bands to American Bandstand
appearances, from teen clubs to Broadway.
It was magical in a time when the magic of rock and roll ruled. Here is their story.
MADD Members
Mick Sexton
Mick Sexton was a singer and lead guitarist for MADD and the acknowledged leader
of the band though he refuses credit and insists all four, Mick Sexton, Barry
Monohon, Michael Schomers and Brian David Bernstein should collectively share
credit as leaders and founders. Still, a
look at his background and it was clear why he was the driving force in pushing
their amazing creative musical achievements.
By age 4 Mick was playing
Hank Williams tunes on his Grandmother's piano.
His interest in music caused his mother to rent an accordion from a door
to door salesman. After a handful of
lessons, at age 4½ Mick was playing The
Blue Danube Waltz live on an Oskaloosa radio station.
His father bought him a
Stella acoustic guitar for his 5th birthday and 6 years of lessons led to
winning a number of talent contests at county fairs. Performing for his parent's friends became a
family ritual. When performing on the
Jerry Lewis Muscular Dystrophy Telethon in the late 1950's he shared the stage with
Raymond Burr (Perry Mason), James Arness (Matt Dillon) and Schuyler "Sky King"
(Kirby Grant) at the Ottumwa
Coliseum. By age 10 and 11 he had
performed several shows with the popular Rhythm Playboys.
All the while Mick was
exceptional in school and YMCA AAU athletics in swimming and diving competition
including winning Gold Medals in two State AAU championships and two Regional
AAU championships.
He joined his first rock
band, The Perfidians, when in 8th grade.
They played the Horseshoe Club and road houses in the Ottumwa area while Mick balanced his
education, swimming and musical careers.
After a brief stint with
Tommy Williamson's X Rays band he was playing at the Teen Corner Candy Kane
Lounge with Barry Monohon, Eddie Hood and Bill Ingles. When Eddie and Bill departed, Mick, Barry,
Michael Schomers and Brian David Bernstein decided to form MADD.
After his MADD experience
Mick played in a group called London Fog with Casey Foutz, the 5th member of
MADD, that recorded a song in Racine ,
Wisconsin . This was followed by the Upstairs Playground,
an innovative rock ensemble.
He moved the Upstairs
Playground to Iowa City where they performed at the
popular college bar Little Bill's, one of the hot spots for University of Iowa
students. Mick later played in a group
called Stray Cat.
Then it was on to San Francisco , California
where he joined a band called Innersection that opened for the well known band
the Whispers. Mick's band was an all
Black Soul and R&B band until he joined.
He then moved to Eugene , Oregon
and joined a country/rock band called Captain Country. This band recorded an album and made music
videos and was popular in the Pacific Northwest
music scene playing venues from I-5 truck stops to The Dexter Lake Club, a
popular venue used for the movie Animal
House featuring the band Otis Day and the Knights led by now famous Robert
Cray.
It was back to the Top 40 when
Mick joined his wife in the band Elixir and they moved to Rochester ,
NY and joined a circuit playing clubs from Rochester to the Florida Keys, then forming Florida bands The Source
and later Sapphire.
Today he retains his
passion for music in an avant garde group playing a range of music from the
Beatles to Paul Simon to traditional Irish (Celtic) to classical including
Mozart, Bach and Beethoven forever seeking to challenge his creativity and push
his in depth knowledge and expertise in music.
Barry Monohon
Barry Monohon, bass guitar, was adopted by his maternal grandparents who exposed
him to music his entire life. From his
earliest memories of an accordion player performing Mocking Bird Hill for him
at his Aunt's house at age 4, to discovering a stash of 78 big band records at
age 5 by Glenn Miller, Harry James, Benny Goodman and Sophie Tucker, music was
his passion.
The first live concert he
attended was Conway Twitty and Brenda Lee in the Grand Ole' Opry Show that
regularly came to Ottumwa and one night his step father, Leo Monohon brought
the popular Rhythm Playboys over to the house for rehearsal, giving young Barry
a chance to sit in with the band.
He progressed from a
tonnette to clarinet, to ukulele before joining his junior high band. Left handed, he got his first electric guitar
in junior high and soon took up bass guitar.
Like Mick, Barry also
played in local bands before joining the X Rays band with Tommy Williamson
where they were the house band at the Candy Kane lounge. When two members decided to leave Mick, Barry
and Brian David Bernstein decided to form MADD with Michael Schomers.
To those who knew him
Barry was a fun loving and mischievous character who would rebuild right handed
guitars in order to play left handed, and loved a good practical joke. Like the time he shouted into the microphone
during a sold out concert to the teen girls who threw panties on stage to throw
money not clothes, and they promptly bombarded Michael Schomers and the others
with quarters.
An accomplished graphic
design, oil and pastel artist Barry balanced his interest between MADD and his
passion for art moving for a time to Berkeley , California where he was caught up in the Abstract
Expressionist movement but returned to Iowa .
He later played in three
bands in the Des Moines
area where MADD had achieved great success at the Iowa State Fair and on WHO
TV. After moving to Midwest
City , Oklahoma he learned from Des Moines musician and friend
George Clinton that the recording contract that was supposed to go to MADD for
winning the Omaha Midwest Battle of the Bands was given to the 1910 Fruitgum
Company band.
Barry now has an art
studio in Lincoln , Nebraska
and has exhibited both nationally and in Europe
and his works are included in many prominent private and corporate art
collections.
Brian David Bernstein
Brian David Bernstein, drummer and vocals, came from a family who owned
Bernstein's Music Store in Ottumwa . Under the watchful eye of his father he went
from a shy snare drummer in the junior high school band to evolve into one of
the best rock drummers in the state.
Just 12 years old when
MADD was formed Brian David stunned his peers like Mick Sexton, Barry Monohon
and Michael Schomers with his raw talent and boundless energy on the drums,
along with his exceptional singing talent, that allowed him to contribute to
the three-part plus harmonies that set MADD apart from most bands.
Unlike the other band
members, Brian David's first real band was MADD but his on stage presence and
flamboyant style made him an instant hit with the fans and gave the impression
he was born to beat the skins.
After his years with MADD
he played in Iowa City with Mick in the Upstairs
Playground and later moved to Des Moines , the
heart of jazz, soul and alternative music in Iowa , where he played in Wheatstraw with Dartanyan
Brown.
He then moved to Northern
Florida where he joined a succession of bands playing the Florida
to Myrtle Beach , South Carolina circuit. These included Then 2 Now, The Prentis
Bernstein Group, Bumper and Heart & Soul Limited.
Brian David became a
regular session player for numerous groups in Nashville , Tennessee
as both a drummer and singer. In Florida he also taught
drums.
Recently he has moved to Toronto , Canada
and he continues to perform between Canada and Florida.
Michael Schomers
Michael Schomers, rhythm guitar and vocals, was in a youth group at church that had a
guitar but needed a guitar player for sing alongs, so Michael jumped in. When the Beatles came along he was hooked.
His first band in Ottumwa was the Blew
Brothers, with Tony and Tommy Blew.
Their father Don Blew was their mentor.
Don's true passion was his music and he was known as a musician's musician having
played guitar in many bands throughout his career including the Ponderosa
Playboys which was an area backup band for Nashville stars and the Don Blew
Trio and Don Blew Quartet with his two sons.
Don also had taught jazz guitar at Parsons College .
With such a great mentor
it was a fast track to success. With the
addition of Tom Williamson to their group they became the Aztecs, later the
Sidewinders and eventually the X Rays.
They played Washington
Junior High School dances
and at the YMCA Corral dances.
Mick, Barry and Michael
all were linked by playing with Tommy Williamson at different times although
Michael and Mick had attended the same YMCA camp earlier. When MADD was formed Barry switched
instruments to bass guitar and Michael, who had become an accomplished bass
player, switched to rhythm guitar and singer.
Michael's father was
instrumental in helping the boys acquire the Cadillac hearse which was a symbol
of the uniqueness of the band and helped with bookings and managing the gate at
concerts.
After MADD Michael played
in Iowa City in the band Source and eventually
moved to Tampa , Florida where he continued to be part of
various bands. While in Florida he played in a highly acclaimed Broadway musical,
The Rock and the Rabbi, performing on Broadway in NYC, at the Grand Ole Opry in
Nashville , and
at the Hard Rock Cafe during national tours.
Michael has a recording
studio in his home and continues to play with various musicians in the Florida area.
Casey Foutz
Casey Foutz from Bloomfield , Iowa joined MADD late in the first year as keyboard
player and was a fan favorite as a performer and singer. After MADD he played with Mick in London Fog
and the Upstairs Playground.
He became a founding
member of Crabby Appleton in Los
Angeles , with several Billboard 100 hits. While with the band they opened for national
stars like the Doors, Sly and the Family Stone, Three Dog Night, Guess Who and ABBA. They also appeared on Dick Clark's American
Bandstand and other national shows.
Casey then joined Pacific Gas & Electric of Los Angeles .
Heart problems shortened his career and Casey died in the mid 1980's of
heart failure.
The MADD Years - 1965-1970
All MADD members were
pushed by their parents and families to pursue the dream of all teens, to be
rock and roll stars, but they were among the few who captured the sound of
popular artists so well that they often sounded far better in concert than the
original performers.
Many can dream but few can
come so close to realizing it as the lads of MADD when they formed their unique
band in 1965. The name was influenced by
a song by the Animals called Mad at You.
Before MADD and at very
young ages the members played in a variety of local bands including the X Rays,
Blew Brothers, Aztecs, Sidewinders, Perfidians and others as they developed
their skills as musicians and singers.
When most aspiring rock
and rollers were getting their first Fender guitar the members of MADD were
already mastering the legendary Rickenbacker 12 string guitar, Hoffner left-handed
bass guitar and Ludwig drums.
As noted, in 1964 Mick Sexton (lead guitar/singer) had a band
with Eddie Hood (bass/singer), Bill Ingles (drums) and Barry Monohon (rhythm
guitar). Eddie left the band and Barry
Monohon took over as bass player.
In 1965 when Bill Ingles
left to join the military, Mick (lead guitar), Barry (let handed bass) and
Michael Schomers (rhythm guitar) agreed to form MADD with Brian David Bernstein
as drummer thus the core group was in place.
Barry was recruited at an
audition in Bernstein's house and Barry played a left handed Hoffner Bass like
Paul McCartney of the Beatles. Schomers
first practiced with the group at his house.
When the band was first formed Schomers and Bernstein were just 14 and
13 years old respectively, incredibly young for the sophisticated songs and
harmonies perfected by the band.
Michael's father helped
them buy a 1952 Cadillac hearse as their touring car and in 1965 the band was
officially launched. As they toured Southeast Iowa and their popularity increased keyboardist
Casey Foutz joined the band.
Among the first songs
played by MADD was My Generation by
the Who and Day Tripper by the
Beatles and by 1966 they were known for their complex songs like Red Rubber
Ball by Cyrkle, a short lived band who opened for the Beatles on their American
tours.
Sexton, who was known for
his haunting rendition of Mr. Tambourine
Man by the Byrds which he played on a Rickenbacker 12 string set the lads
on a course of magical three-part plus one harmonies that made MADD the premier
Iowa "Garage" Band of the 1960's and one of the best in the nation.
Of course during that time
most national recording artists were covering songs written by others so being
a Garage Band and covering songs was typically the ticket to success, provided
you had the talent and opportunity to excel.
Not only did MADD have
incredible talent but they had help from Iowans and others of all ages who
heard and then believed in these talented lads.
MADD never had a manager, booking agent, road manager, publicist, promoter
or anyone working for them. People just
wanted them to succeed.
From 1965 until 1970 MADD
toured the Iowa/Missouri/Illinois area growing their following from small town
gigs to college campuses to being featured on television station WHO in Des
Moines, playing the Iowa State Fair, and dominating one of the nation's largest
Battle of the Band competitions in Omaha, Nebraska.
Some MADD Venues
Clothing Show at Ottumwa Country Club
The Teen Corner, Ottumwa
Candy Kane Lounge, Ottumwa
Dance Craze Street Festival, Ottumwa
Ottumwa Auditorium
Featured act
Keokuk Teen Club, Keokuk , Iowa
WHO TV Teen Show, Des Moines -
Starr Stations Midwest Battle of the Bands, Omaha ,
Nebraska
Among the many unique
aspects of MADD was the fact they shared a 1952 Cadillac hearse as their
touring car and they all lived together most of the time they played together
in order to be able to spend countless hours rehearsing new tunes and mastering
new techniques. Every performance seemed
to be enhanced from the previous one.
They also were very much
involved in the Iowa community of musicians
and were constantly sitting in with other bands or sharing techniques and ideas
with groups from Keokuk to Iowa City to Des Moines .
As a group they set a
pattern of showmanship and exceptional skill as singers, musicians and
performers covering the most difficult songs of the generation often achieving
a sound superior to the bands they were covering.
The pinnacle of their
success was achieved in 1969 at the Midwest Battle of the Bands in Omaha , Nebraska where
over 30 bands had been invited and hit bands the Buckinghams from Chicago and
Young Rascals, later the Rascals, from New
Jersey were performing.
The Starr Radio network,
one of the largest rock and roll radio networks in America with stations from
coast to coast was sponsor through their KOIL station in Omaha. Before the competition was completed MADD
left all other competitors buried when the thousands of fans blew away the
sound meters used to measure audience response.
As the clear victor MADD
was featured as the opening act for the Omaha
auditorium concert by the Buckinghams and Young Rascals. The sponsors were stunned when the crowd
demanded encores by MADD before the featured acts and the Midwest
audience clearly favored the incredible energy and professionalism of MADD over
even the nationally famous recording artists.
When MADD completed their opening
performance and played several encores in response to the demands of the crowd,
Dennis Tufano, a founder and lead
singer for the Buckinghams came and up and told MADD, "You guys are far
out!" It was the first time the Iowa boys had received a
compliment like that.
MADD finally disbanded
when some pursued a college education but all of the members went on to play in
numerous bands throughout the country including jazz, soul, country rock and
avant garde groups.
Bands after MADD:
Upstairs Playground, Iowa
City
Stray Cat,
Iowa City
Wheatstraw,
Des Moines
Shabazz,
Des Moines
Crabby Appleton , Los
Angeles
Woodrose,
Des Moines
Goo, Des Moines
Source,
Iowa City
Sound Minds, Iowa City
Then 2 Now,
Florida
The Prentis Bernstein Group, Florida
Northern Harbour, Florida
Bumper,
Florida
Heart & Soul Limited, Florida
Charlie Reis, Tampa , Florida
Pacific Gas & Electric, Los
Angeles
Innersection, San Francisco
Capitan Country, Eugene , Oregon
Skyline,
Eugene , Oregon
Elixir,
Rochester , NY
to Florida Keys
The Source, Orlando , Florida
Sapphire,
Orlando , Florida
During the MADD era the
band performed with The Rascals and Buckinghams, and after MADD the members
were in bands that opened for rock stars including the Doors, Sly and the
Family Stone, Three Dog Night, Guess Who, ABBA, the Whispers and George
Carlin. They also appeared on American
Bandstand, on Broadway in NYC, at the Grand Ole' Opry in Nashville and the Hard Rock Cafe.
While Casey Foutz passed
away in the 1980's all four core members of MADD are alive and well and three,
Sexton, Bernstein and Schomers continue to be involved in bands, music,
singing, recording sessions and even teaching music to this day. The band members can be found in Toronto , New York , Florida and Nebraska
where Barry Monohon is an accomplished artist in impressionistic pastel
landscapes and mixed media.
Perhaps the best
indication of the exceptional nature of this band of lads from Iowa are the words of
their peers from the time period. When
the words come from musicians and recording artists from other parts of the
state they have even more significance. Recently
Craig Moore who played in bands the Pagans and GONN from Iowa made these comments about the influence
of MADD on bands throughout the state and region.
Reply by CRAIG
MOORE on May 29, 2012 at 2:43pm
"MADD didn't make a record, to the best of my
knowledge they never wrote a song, but they were the ultimate garage cover
band. SO good, they knocked us out totally. We were still beginner's in the
Pagans. I don't think we had met Rex & Brent yet when we first saw MADD,
and I had only been playing bass for a couple of months. Barry the bass player
looked like McCartney & played a Gibson EB-1 violin shaped bass left
handed. He was amazing as were all of them. I asked him how long it was going
to take me to get a handle on bass and he told me "oh about 6 months and
you'll start to get it, start to 'hear' things."
We were practicing & learning songs and
listening to records 24/7 of course, and I literally watched the calendar and
at that 6 month mark 'viola!' I started hearing octaves and such on the
records, started to decipher the 1 from a harmonic note, etc. Still had a LONG
way to go but that remark was magic.
MADD did "Rain" letter perfect when it
was NEW, at a time when most bands could only listen in awe to the record. The
organist was Casey Foutz who eventually left Ottumwa
with Phil Jones (Enoch Smoky) and were founding members in LA of Crabby Appleton , "Go
Back" etc.
MADD evolved into THE UPSTAIRS PLAYGROUND and got
very, very psychedelic, California
acid drenched. Guitarist Mike Sexton was
beyond fabulous as a guitarist & vocalist, last time I saw him was 1968 or
1969 and he looked exactly like a taller version of Dickie Peterson (Blue
Cheer). He's either a highly paid session musician with a huge ranch in Montana , a rocket
scientist, born again, or dead. I have no idea.
David Bernstein the drummer was one of the greatest
unknown shit kickers you could imagine. I
heard some vague rumblings about him in the early 70's but never knew where he
ended up. I hope he's fine and I hope he never lost his love of music, he was
great.
But MADD's bass player had a huge impact on me
personally, and the band was idolized thoroughly by The Pagans and GONN, and in
fact they inspired both the spelling of our name AND the fact that we adamantly
enforced the "no 'THE'" rule, as did MADD. The fact that we had our
own hearse was as close as we could get to being as cool as MADD, in our minds.
Until we made a record, anyway. I saw this hearse ad about 6 months or so ago
and sent it out to Phil Jones just as a reminder of the good old days back here
in the Midwest .
I saw Casey back in Ottumwa about 1983 when my band Ready Steady
Go was playing a club there. He had been playing with Pacific Gas &
Electric in LA and had a heart attack, moved back to the home town to
recuperate and get his head together. It was great to see him, he always
reminded me of Gene Clark, but he seemed pretty down and not very happy.
I was pleased that he remembered me and the band
and all the times we hung out with them. Not too long after that I heard he had
another heart attack and died. Very sad. So all you fans of records by GONN,
you need to say a 'hail Mary' for Casey and never forget there was a band
called MADD that maybe didn't make a record but their impact is with you still,
every time you hear GONN or hear another story of the Iowa scene 1965-1968.
They were the ultimate Iowa garage band. "
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MADD
is everything a true local band should represent in order to be enshrined in
the Iowa Rock n Roll Hall of Fame. They
earned the respect of their peers. Once
on stage they demonstrated exceptional talent as musicians and singers. They played the most difficult instruments
and sang the most complex three-part plus one harmonies at a level far beyond
their young years.
As individuals they never
hesitated to help people seeking advice on playing or singing techniques. While they electrified audiences they never
lost their humility. They loved the
challenge of mastering complex songs and were never satisfied until their song
was as good if not better than the original.
They grew up during the
birth of rock and roll and MADD performed through the psychedelic era excelling
in the astonishing diverse evolution of music and rock and roll.
Throughout their careers they
have been great innovators and ambassadors for the State of Iowa
and the rich Iowa
musical heritage throughout the nation.
Jim Putnam
Here is how you can reach
the band today.
Memories of MADD - Their signature song