Kentucky Derby Countdown – The Greatest Bluegrass Thoroughbred to Never Win the Kentucky Derby - Man o' War

If the millions and millions of fans around the world think they have it bad trying to pick the winner of the Derby and then sweating out the fastest two minutes in sports as the horses pound around the track, just think what the horses went through to get on the track.

They are the result of generations of breeding and bloodlines.  Of the two greatest horses in thoroughbred racing history, Lexington, Kentucky bred Man o' War set the standard for all time to come.

The other greatest thoroughbred of all time was Secretariat (March 30, 1970 - October 4, 1989), an American Thoroughbred racehorse that in 1973 became the first U.S. Triple Crown winner in 25 years.  He set records in all three events in the series - the Kentucky Derby (1:59 2/5), the Preakness Stakes (1:53), and the Belmont Stakes (2:24) - records that still stand today, 41 years later.

He is considered to be one of the greatest Thoroughbreds of all time. In 1999, ESPN ranked Secretariat the 35th best athlete of the 20th century, the highest ranking racehorse on the list. He ranked second behind Man o' Was in The Blood-Horse's List of the Top 100 U.S. Racehorses of the 20th Century.

But a lot less is known about Man o' War, the greatest Kentucky horse to never run in the Kentucky Derby, so here is his story.

Man o' War came close to perfection

By Larry Schwartz

Special to ESPN

When thoroughbred racing needed a boost, Man o' War unleashed his blazing speed and came to the rescue.  Though he competed for only two years, he energized a reeling sport.

   

Let's look at the world of racing that Man o' War entered in 1919: Racing in New York had been eliminated in 1911 and 1912 because of anti-gambling legislation led by Gov. Charles Hughes. Other states had taken up Hughes' crusade. Many stables had folded and some of the bigger ones had moved to Europe.

While racing was legalized again in 1913, World War I soon dominated the public's attention. Attendance and pursues were at record lows when Man o' War made his debut on June 6, 1919.

By the time he retired 16 months later, he was a national hero, joining Babe Ruth as the first shining stars of the Roaring Twenties.  The charismatic horse's popularity had brought fans back to the race track.

Man o' War went to the post 21 times and won 20 races. He won one race by an incredible 100 lengths and triumphed in another carrying 138 pounds. He whipped a Triple Crown champion by seven lengths in a match race.

He brought international recognition to Kentucky breeders and made the United States the racing center of the world. When he retired, he held five American records at different distances and had earned more money than any thoroughbred.

In a mid-century Associated Press poll, he was overwhelmingly voted the greatest thoroughbred of the first half of the 20th century.

Not only did Man o' War perform like a superstar on the track, the chestnut-colored horse (though he was nicknamed "Big Red") looked like one. At 3, he was a strapping 16.2 hands (about 5-foot-6) and weighed about 1,125 pounds with a 72-inch girth. His appetite also was huge, as he ate 12 quarts of oats every day, or about three quarts more than the average racehorse. He ran in big bounds as well, with his stride measuring an incredible 25 to 28 feet.

Bred by August Belmont II, son of the founder of Belmont Park and for whom the Belmont Stakes was named, the future champion was foaled on March 29, 1917 at Nursery Stud near Lexington, Ky. His sire was Fair Play and his dam was Mahubah, the daughter of Rock Sand, the 1903 winner of Britain's version of the Triple Crown (the 2,000 Guineas, the Epsom Derby and the St. Leger). He was 15 generations removed from the Godolphin Arabia, one of three Arab and Barb stallions considered to be the founders of the thoroughbred line.

Originally, Belmont's wife named the horse My Man o' War, after her soldiering husband, who was stationed in France during World War I, but the "My" was later dropped.

Belmont's military involvement prompted him to sell his entire 1917 yearling crop. Sportsman Samuel Riddle, owner of the Glen Riddle Farm, was the beneficiary of this decision. Accepting the judgment of trainer Louis Feustel, Riddle purchased the rangy colt, who seemed too large for a yearling, for $5,000 at the Saratoga yearlings' sales. "As soon as I saw him, he simply bowled me over," Riddle said.

At the beginning, Man o' War's aversion to the bridle and saddle caused problems. "He's nice and he's smart, but don't ever try to force him or you'll come out second best every time," a stable boy said. "Ask him and he'll do what you want. Push him and it's all off."

Under Feustel's training, patience paid off, and the energy of Man o' War was harnessed. His debut, in a five-furlough maiden race against six other 2-year-olds at Belmont, was no contest. The fans reportedly screamed and pounded the rail as jockey Johnny Loftus tightened the reins at the stretch, slowing Man o' War to a virtual canter. But the horse still won by six lengths.

"He made half-a-dozen high-class youngsters look like $200 horses," wrote the turf editor of the New York Morning Telegraph.

Following his smashing debut, Man o' War won three stakes races, at three different New York tracks, in the next 17 days.

His winning streak was at six when Man o' War raced in the Sanford Stakes at Saratoga on Aug. 13. It is Man O' War's most remembered race -- because it is the only one he would lose.

Starting gates were not yet used, and horses were led up a tape barrier. A fill-in starter had difficulty getting the horses ready and they milled around. While Man o' War apparently was backing up, the tape was sprung. Man o' War "was almost left at the post," the Louisville Courier-Journal reported.

After a slow start, Man o' War was third as the field headed for home in the six-furlough race. Blocked by close quarters, he had to go to the outside in the final eighth. Though he gamely made up ground, he missed by a half-length of overtaking the winner, who at 115 pounds carried 15 fewer pounds than the 11-20 favorite. The winner was named, rather appropriately, Upset.

Big Red, who beat Upset in their six other meetings, finished the year with easy victories in the Hopeful and Futurity, giving him nine victories in 10 races.

In 1920, Man o' War won all 11 of his races, with Clarence Kummer aboard nine times. Big Red didn't race in the Kentucky Derby because Riddle believed that a soft-boned 3-year-old should not have to run 1¼ miles in early May. Instead, he set his sights on the Preakness (Man o' War held off an Upset charge to win) and Belmont (a 20-length victory in a two-horse field).

After winning the Travers against two horses at Saratoga, only one colt challenged Man o' War in his next race. Well, it wasn't exactly a challenge as Big Red, the 1-100 favorite, defeated Hoodwink by 100 lengths in the 1 5/8th-mile Lawrence Realization at BelmontPark.

He was 1-100 again in winning the Jockey Cup at Belmont Park, and then he was saddled with the excessively high weight of 138 pounds for the Potomac Handicap. After being a bit fractious at the post, he assumed command and won easily.

Man o' War's last race was against Sir Barton, who in 1919 had become the first to win the Kentucky Derby, Preakness and Belmont. Like most match races, it was hardly competitive. At Kenilworth Park, in Windsor, Ontario, Man o' War won the $75,000 purse and $5,000 Gold Cup by defeating the older Canadian-owned horse by seven lengths.

When Riddle was informed that Man o' War would have to carry even more than 138 pounds as a 4-year-old, he retired his horse to stud. Man o' War held American records for the fastest mile, 1 1/8 miles, 1 3/8 miles, 1½ miles and 1 5/8 miles. His total earnings were $249,465, a record at the time.

Don't feel sorry for Man o' War because he stopped racing so young. He proved to be quite a stud. In 1926, his issue won $408,137, breaking a 60-year-old record.

Following his undefeated season of 11 straight wins, Man o' War traveled to Lexington, Kentucky, to enter at stud at Elizabeth Daingerfield's Haylands and later moved to Riddle's Faraway Farm. Man o' War was a top sire who produced more than 64 stakes winners and various champions. Though many believe that Riddle did not breed the stallion to enough good mares after the first five seasons, he still sired many leading horses.

Man o' War sired American Flag and Crusader, who won successive Belmont Stakes in 1925 and 1926. Although there were no official champions in America at the time, both colts were generally considered the best three-year-old colts of their year, and Crusader was also largely accepted as the best racehorse of 1926.

Among Man o' War's other famous offspring were 1929 Kentucky Derby winner Clyde Van Dusen, Battleship (who won the 1938 English Grand National steeplechase), and War Admiral, the 1937 Triple Crown winner and the second official Horse of the Year. Another of his offspring, Hard Tack, sired Seabiscuit, who was Horse of the Year in 1938. Man o' War's most successful sons at stud were War Admiral and War Relic, and War Relic's branch of the male line survives today.

Tiznow, Honor and Glory, and Bertrando are also all sire-line descendants of Man o' War. According to Kent Hollingsworth, 37 per cent of all stakes winners in 1966 were descendants of Man o' War. Despite not covering more than 25 mares in any season, Man o' War sired 379 named foals during 22 seasons at stud. His daughters kept Man o' War listed in the 10 leading broodmare sires list for 22 years.

In 1921, a Texas oil millionaire, William Waggoner, offered $500,000 for Man o' War. Riddle turned him down, as he did when Waggoner increased his offer again, first to $1 million and then a blank check. "The colt is not for sale," he said.

Although Man o' War spent most of his life in Kentucky, he never raced there. He died there, though, at the age of 30 of a heart attack on Nov. 1, 1947 in Lexington.

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The Roots of Country Music in America - Appalachia to Nashville

Most people probably have little understanding of the roots of country music in America because it has always been taken for granted that country is one of the core genres we have always had around. It is known as the heartbeat and soul of America and been around about as long as the Europeans have been here.

John Denver's Country Roads played around the world!



Over the years we may have heard country music we liked, some even crossed over to pop and rock charts, and many stars in other genres either started as country music singers or became famous and then cut a country song or album. But do we really know from whence it came?

When English speaking America was first being colonized in the 1600's the coastal areas were settled first, Virginia, Massachusetts and Maryland, all by 1634 and it did not take long for the European immigrants to make their way to the Appalachian Mountains, the Southern Appalachians that is, which included the Blue Ridge Mountain range and Cumberland Plateau. Western Virginia and Eastern Kentucky and Tennessee territories along with pieces of the Carolinas and Georgia made up the region which served as a barrier to westward expansion.

Immigrants came to the area because the coastal regions were already populated and with them came the Old World musical instruments were brought together in barn dances and celebrations by these hardy people settling the region. This was in the days before electricity, before electric guitars and synthesizers

The Irish fiddle, German dulcimer, Italian mandolin, Spanish guitar and African banjo were brought to these celebrations and played together in hillbilly jam sessions far from the operas and symphonies of the cities on the east coast. This came to be known as "Old Time" music.

In the 19th century some immigrant groups moved to the Texas area to settle and further integrated the hillbilly sound with Spanish, Mexican and Native American music and large dance halls were built where the locals could gather and dance to the sounds. This was the final step in the evolution of the roots of Country Music.

Then came the 20th century with cars and roads and radio which brought down the barriers of communication and people from throughout the nation could hear this unique American creation. The first country recording was in 1921 and throughout the 1920's as radio expanded so did the country music.


Country musicians were great innovators ever since mixing the instruments from five counties up in the Appalachians and electricity, recording and touring gave them more and more opportunities to do this. Hillbilly music grew in popularity driven by the Carter Family and Jimmy Rodgers and in 1925 WSM-AM radio in Nashville started the first country music broadcast, on November 28, 1925, when the WSM Barn Dance was first broadcast. In time it would become the Grand Ole Opry under the guidance of people like Roy Acuff.

By the 1930's and Great Depression people were poor and the radio became the primary source of news and entertainment. Soon a fledgling movie industry introduced the Singing cowboys while radio was expanding the barn dances with legendary country shows being broadcast from Chicago to Texas to California. In the 1940's these shows introduced singers like Roy Acuff, Bill Haley, Eddie Arnold and singing cowboys like Gene Autry and Roy Rogers.


Bob Wills and his legendary Texas Playboys was among the innovators of country music when in 1935 he introduced drums to the band, a first, then became the first group with the electric guitar in 1938. Yet it was not until the early 1960's that the steel guitar and drums were fixtures in country bands.

Hillbilly music spawned Hillbilly Boogie by 1939 and a new country genre called Bluegrass emerged with the sound of Bill Monroe, Lester Flatt and Earl Scruggs at the end World War II. By this time country music included Hillbilly, Boogie, Blues, Honky Tonk, Gospel and Rockabilly.


To the rest of the world country music was called Hillbilly until 1944 when the name was changed to Folk and Blues music. By 1949 it was labeled Country or Country Western, the latter referring to the singing cowboys of movies and then television. Honky Tonk saw the rise of Ernest Tubb, Floyd Tillman, the Maddox Brothers and Rose, Lefty Frizell and Hank Williams.


Along came the 1950's and country music changed again as Rockabilly dominated with Elvis Presley, Johnny Cash and Carl Perkins leading the way. From 1955-1960 ABC-TV became the first network with a nationwide country show called the Ozark Jubilee that showcased country stars to the nation. Elvis helped drive the cross-over between Rockabilly and Rock 'n Roll.

Late in the '50's came the Lubbock Sound of Buddy Holly and then there was a country backlash as the industry felt rock 'n roll was to dominate. Ray Price, Marty Robbins and Johnny Horton began to shift the music back to traditional country.

In the early 1960's the Nashville sound became dominant with producers like Chet Atkins, Owen Bradley and Billy Sherrill reviving the genre with legendary singers Patsy Cline, Jim Reeves and Eddy Arnold.

Patsy Cline – Crazy - (Written by Willie Nelson)

Ray Charles introduced Country Soul in 1962 with his release of I Can't Stop Loving You. A new sound in Nashville called Countrypolitan was created featuring the sounds of Tammy Wynette and Charlie Rich. But soon the Nashville sound became stale.

Out west Honky Tonk and Western Swing were merged by Bob Wills and Lefty Frizell to form the Bakersfield Sound. It would encompass the diversity of different styles from Buck Owens, Merle Haggard, Tommy Collins and Wynn Stewart.



In other places like Lubbock, Tulsa and Austin the disappointment with the Nashville Sound and control of the record labels was causing an Outlaw movement. Inspired by the success of The Beatles, Bob Dylan and Rolling Stones in demanding creative control of their music and control of their songs, the Outlaws gravitated to Austin where Waylon Jennings and Willie Nelson became the leaders.

Not only did their music change but their image as well. Gone were the clean cut, clean shaven cowboys of old and in were the long haired radical Outlaws of the future. Jessie Colter, wife of Waylon, was one of the female pioneers while Johnny Cash and Merle Haggard soon joined forces.

With The Beatles astounding success blending rock and pop music Nashville was hungry to tap into the crossover sound needed to reach the mainstream markets. Others, seeking a return to the "old values" of rock 'n roll, created a new genre called Country Rock.

The Byrds, Flying Burrito Brothers, Allman Brothers, Marshall Tucker Band, Poco, Buffalo Springfield and Eagles exploded onto the music scene as Southern Rock and Heartland became new subgenre spin offs. Ever since there has been a tug of war between traditional country and country rock or country pop as stars like Dolly Parton, Rosanne Cash, Linda Ronstadt, Juice Newton, Alabama, Hank Williams, Jr., Brooks and Dunn, Garth Brooks, Dwight Yoakum, Shania Twain, Faith Hill, and Keith Urban helped move country towards rock over the years.

By the mid 1970's Olivia Newton John and John Denver captured the Country Pop crossover market and powered their way to CMA and Grammy Awards with multi million selling hits. Soon a whole new group of country performers would take up the mantle.

George Straight, Alan Jackson, Clint Black, Toby Keith, Reba McEntire, Kenny Chesney, Alison Krauss, Vince Gill and Tim McGraw among others perform the Classic Country style today while the pop crossover comes from new artists like Carrie Underwood from American Idol fame and newest sensation Taylor Swift who have breathed new life into the country music industry.

What is next? Who knows. Still, those who understand that country music is an ever-changing genre that morphs into a variety of styles depending on the needs of the people and the innovation of the artists, must feel good as a broad range of artists currently dominate the radio airwaves and rule the concert circuit.

Alan Jackson - Remember When (Official Music Video)

As the major record labels collapse, the radio stations strangle on their own automated programming and the formula music once again becomes stale we know it is the time when country music always rediscovers itself. Nashville will be a lot better as a result, all country artists will benefit, the public will reap the rewards of new and innovative country music and history will once again record that the American country sound once again became relevant in a time of need and a time of truth.
.

The Roots of Country Music - Appalachia to Nashville

.

Most people probably have little understanding of the roots of country music in America because it has always been taken for granted that country is one of the core genres we have always had around. It is known as the heartbeat and soul of America and been around about as long as the Europeans have been here.

Over the years we may have heard country music we liked, some even crossed over to pop and rock charts, and many stars in other genres either started as country music singers or became famous and then cut a country song or album. But do we really know from whence it came?

When English speaking America was first being colonized in the 1600's the coastal areas were settled first, Virginia, Massachusetts and Maryland, all by 1634 and it did not take long for the European immigrants to make their way to the Appalachian Mountains, the Southern Appalachians that is, which included the Blue Ridge Mountain range and Cumberland Plateau. Western Virginia and Eastern Kentucky and Tennessee territories along with pieces of the Carolinas and Georgia made up the region which served as a barrier to westward expansion.

Immigrants came to the area because the coastal regions were already populated and with them came the Old World musical instruments were brought together in barn dances and celebrations by these hardy people settling the region. This was in the days before electricity, before electric guitars and synthesizers

The Irish fiddle, German dulcimer, Italian mandolin, Spanish guitar and African banjo were brought to these celebrations and played together in hillbilly jam sessions far from the operas and symphonies of the cities on the east coast. This came to be known as "Old Time" music.

In the 19th century some immigrant groups moved to the Texas area to settle and further integrated the hillbilly sound with Spanish, Mexican and Native American music and large dancehalls were built where the locals could gather and dance to the sounds. This was the final step in the evolution of the roots of Country Music.

Then came the 20th century with cars and roads and radio which brought down the barriers of communication and people from throughout the nation could hear this unique American creation. The first country recording was in 1921 and throughout the 1920's as radio expanded so did the country music.



Country musicians were great innovators ever since mixing the instruments from five counties up in the Appalachians and electricity, recording and touring gave them more and more opportunities to do this. Hillbilly music grew in popularity driven by the Carter Family and Jimmy Rodgers and in 1925 WSM-AM radio in Nashville started the first country music broadcast, on November 28, 1925, when the WSM Barn Dance was first broadcast. In time it would become the Grand Ole Opry under the guidance of people like Roy Acuff.

By the 1930's and Great Depression people were poor and the radio became the primary source of news and entertainment. Soon a fledgling movie industry introduced the Singing cowboys while radio was expanding the barn dances with legendary country shows being broadcast from Chicago to Texas to California. In the 1940's these shows introduced singers like Roy Acuff, Bill Haley, Eddie Arnold and singing cowboys like Gene Autry and Roy Rogers.



Bob Wills and his legendary Texas Playboys was among the innovators of country music when in 1935 he introduced drums to the band, a first, then became the first group with the electric guitar in 1938. Yet it was not until the early 1960's that the steel guitar and drums were fixtures in country bands.

Hillbilly music spawned Hillbilly Boogie by 1939 and a new country genre called Bluegrass emerged with the sound of Bill Monroe, Lester Flatt and Earl Scruggs at the end World War II. By this time country music included Hillbilly, Boogie, Blues, Honky Tonk, Gospel and Rockabilly.



To the rest of the world country music was called Hillbilly until 1944 when the name was changed to Folk and Blues music. By 1949 it was labeled Country or Country Western, the latter referring to the singing cowboys of movies and then television. Honky Tonk saw the rise of Ernest Tubb, Floyd Tillman, the Maddox Brothers and Rose, Lefty Frizell and Hank Williams.



Along came the 1950's and country music changed again as Rockabilly dominated with Elvis Presley, Johnny Cash and Carl Perkins leading the way. From 1955-1960 ABC-TV became the first network with a nationwide country show called the Ozark Jubilee that showcased country stars to the nation. Elvis helped drive the cross-over between Rockabilly and Rock 'n Roll.

Late in the '50's came the Lubbock Sound of Buddy Holly and then there was a country backlash as the industry felt rock 'n roll was to dominate. Ray Price, Marty Robbins and Johnny Horton began to shift the music back to traditional country.

In the early 1960's the Nashville sound became dominant with producers like Chet Atkins, Owen Bradley and Billy Sherrill reviving the genre with legendary singers Patsy Cline, Jim Reeves and Eddy Arnold. Ray Charles introduced Country Soul in 1962 with his release of I Can't Stop Loving You. A new sound in Nashville called Countrypolitan was created featuring the sounds of Tammy Wynette and Charlie Rich. But soon the Nashville sound became stale.

Out west Honky Tonk and Western Swing were merged by Bob Wills and Lefty Frizell to form the Bakersfield Sound. It would encompass the diversity of different styles from Buck Owens, Merle Haggard, Tommy Collins and Wynn Stewart.



In other places like Lubbock, Tulsa and Austin the disappointment with the Nashville Sound and control of the record labels was causing an Outlaw movement. Inspired by the success of The Beatles, Bob Dylan and Rolling Stones in demanding creative control of their music and control of their songs, the Outlaws gravitated to Austin where Waylon Jennings and Willie Nelson became the leaders.

Not only did their music change but their image as well. Gone were the clean cut, clean shaven cowboys of old and in were the long haired radical Outlaws of the future. Jessie Colter, wife of Waylon, was one of the female pioneers while Johnny Cash and Merle Haggard soon joined forces.

With The Beatles astounding success blending rock and pop music Nashville was hungry to tap into the crossover sound needed to reach the mainstream markets. Others, seeking a return to the "old values" of rock 'n roll, created a new genre called Country Rock.

The Byrds, Flying Burrito Brothers, Allman Brothers, Marshall Tucker Band, Poco, Buffalo Springfield and Eagles exploded onto the music scene as Southern Rock and Heartland became new subgenre spin offs. Ever since there has been a tug of war between traditional country and country rock or country pop as stars like Dolly Parton, Rosanne Cash, Linda Ronstadt, Juice Newton, Alabama, Hank Williams, Jr., Brooks and Dunn, Garth Brooks, Dwight Yoakum, Shania Twain, Faith Hill, and Keith Urban helped move country towards rock over the years.

By the mid 1970's Olivia Newton John and John Denver captured the Country Pop crossover market and powered their way to CMA and Grammy Awards with multi million selling hits. Soon a whole new group of country performers would take up the mantle.

George Straight, Alan Jackson, Clint Black, Toby Keith, Reba McEntire, Kenny Chesney, Alison Krauss, Vince Gill and Tim McGraw among others perform the Classic Country style today while the pop crossover comes from new artists like Carrie Underwood from American Idol fame and newest sensation Taylor Swift who have breathed new life into the country music industry.

What is next? Who knows. Still, those who understand that country music is an ever-changing genre that morphs into a variety of styles depending on the needs of the people and the innovation of the artists, must feel good as a broad range of artists currently dominate the radio airwaves and rule the concert circuit.

As the major record labels collapse, the radio stations strangle on their own automated programming and the formula music once again becomes stale we know it is the time when country music always rediscovers itself. Nashville will be a lot better as a result, all country artists will benefit, the public will reap the rewards of new and innovative country music and history will once again record that the American country sound once again became relevant in a time of need and a time of truth.
.

The Roots of Country Music in America - Appalachia to Nashville

Most people probably have little understanding of the roots of country music in America because it has always been taken for granted that country is one of the core genres we have always had around. It is known as the heartbeat and soul of America and been around about as long as the Europeans have been here.

Over the years we may have heard country music we liked, some even crossed over to pop and rock charts, and many stars in other genres either started as country music singers or became famous and then cut a country song or album. But do we really know from whence it came?

When English speaking America was first being colonized in the 1600's the coastal areas were settled first, Virginia, Massachusetts and Maryland, all by 1634 and it did not take long for the European immigrants to make their way to the Appalachian Mountains, the Southern Appalachians that is, which included the Blue Ridge Mountain range and Cumberland Plateau. Western Virginia and Eastern Kentucky and Tennessee territories along with pieces of the Carolinas and Georgia made up the region which served as a barrier to westward expansion.

Immigrants came to the area because the coastal regions were already populated and with them came the Old World musical instruments were brought together in barn dances and celebrations by these hardy people settling the region. This was in the days before electricity, before electric guitars and synthesizers

The Irish fiddle, German dulcimer, Italian mandolin, Spanish guitar and African banjo were brought to these celebrations and played together in hillbilly jam sessions far from the operas and symphonies of the cities on the east coast. This came to be known as "Old Time" music.

In the 19th century some immigrant groups moved to the Texas area to settle and further integrated the hillbilly sound with Spanish, Mexican and Native American music and large dancehalls were built where the locals could gather and dance to the sounds. This was the final step in the evolution of the roots of Country Music.

Then came the 20th century with cars and roads and radio which brought down the barriers of communication and people from throughout the nation could hear this unique American creation. The first country recording was in 1921 and throughout the 1920's as radio expanded so did the country music.



Country musicians were great innovators ever since mixing the instruments from five counties up in the Appalachians and electricity, recording and touring gave them more and more opportunities to do this. Hillbilly music grew in popularity driven by the Carter Family and Jimmy Rodgers and in 1925 WSM-AM radio in Nashville started the first country music broadcast, on November 28, 1925, when the WSM Barn Dance was first broadcast. In time it would become the Grand Ole Opry under the guidance of people like Roy Acuff.

By the 1930's and Great Depression people were poor and the radio became the primary source of news and entertainment. Soon a fledgling movie industry introduced the Singing cowboys while radio was expanding the barn dances with legendary country shows being broadcast from Chicago to Texas to California. In the 1940's these shows introduced singers like Roy Acuff, Bill Haley, Eddie Arnold and singing cowboys like Gene Autry and Roy Rogers.



Bob Wills and his legendary Texas Playboys was among the innovators of country music when in 1935 he introduced drums to the band, a first, then became the first group with the electric guitar in 1938. Yet it was not until the early 1960's that the steel guitar and drums were fixtures in country bands.

Hillbilly music spawned Hillbilly Boogie by 1939 and a new country genre called Bluegrass emerged with the sound of Bill Monroe, Lester Flatt and Earl Scruggs at the end World War II. By this time country music included Hillbilly, Boogie, Blues, Honky Tonk, Gospel and Rockabilly.



To the rest of the world country music was called Hillbilly until 1944 when the name was changed to Folk and Blues music. By 1949 it was labeled Country or Country Western, the latter referring to the singing cowboys of movies and then television. Honky Tonk saw the rise of Ernest Tubb, Floyd Tillman, the Maddox Brothers and Rose, Lefty Frizell and Hank Williams.



Along came the 1950's and country music changed again as Rockabilly dominated with Elvis Presley, Johnny Cash and Carl Perkins leading the way. From 1955-1960 ABC-TV became the first network with a nationwide country show called the Ozark Jubilee that showcased country stars to the nation. Elvis helped drive the cross-over between Rockabilly and Rock 'n Roll.

Late in the '50's came the Lubbock Sound of Buddy Holly and then there was a country backlash as the industry felt rock 'n roll was to dominate. Ray Price, Marty Robbins and Johnny Horton began to shift the music back to traditional country.

In the early 1960's the Nashville sound became dominant with producers like Chet Atkins, Owen Bradley and Billy Sherrill reviving the genre with legendary singers Patsy Cline, Jim Reeves and Eddy Arnold. Ray Charles introduced Country Soul in 1962 with his release of I Can't Stop Loving You. A new sound in Nashville called Countrypolitan was created featuring the sounds of Tammy Wynette and Charlie Rich. But soon the Nashville sound became stale.

Out west Honky Tonk and Western Swing were merged by Bob Wills and Lefty Frizell to form the Bakersfield Sound. It would encompass the diversity of different styles from Buck Owens, Merle Haggard, Tommy Collins and Wynn Stewart.



In other places like Lubbock, Tulsa and Austin the disappointment with the Nashville Sound and control of the record labels was causing an Outlaw movement. Inspired by the success of The Beatles, Bob Dylan and Rolling Stones in demanding creative control of their music and control of their songs, the Outlaws gravitated to Austin where Waylon Jennings and Willie Nelson became the leaders.

Not only did their music change but their image as well. Gone were the clean cut, clean shaven cowboys of old and in were the long haired radical Outlaws of the future. Jessie Colter, wife of Waylon, was one of the female pioneers while Johnny Cash and Merle Haggard soon joined forces.

With The Beatles astounding success blending rock and pop music Nashville was hungry to tap into the crossover sound needed to reach the mainstream markets. Others, seeking a return to the "old values" of rock 'n roll, created a new genre called Country Rock.

The Byrds, Flying Burrito Brothers, Allman Brothers, Marshall Tucker Band, Poco, Buffalo Springfield and Eagles exploded onto the music scene as Southern Rock and Heartland became new subgenre spin offs. Ever since there has been a tug of war between traditional country and country rock or country pop as stars like Dolly Parton, Rosanne Cash, Linda Ronstadt, Juice Newton, Alabama, Hank Williams, Jr., Brooks and Dunn, Garth Brooks, Dwight Yoakum, Shania Twain, Faith Hill, and Keith Urban helped move country towards rock over the years.

By the mid 1970's Olivia Newton John and John Denver captured the Country Pop crossover market and powered their way to CMA and Grammy Awards with multi million selling hits. Soon a whole new group of country performers would take up the mantle.

George Straight, Alan Jackson, Clint Black, Toby Keith, Reba McEntire, Kenny Chesney, Alison Krauss, Vince Gill and Tim McGraw among others perform the Classic Country style today while the pop crossover comes from new artists like Carrie Underwood from American Idol fame and newest sensation Taylor Swift who have breathed new life into the country music industry.

What is next? Who knows. Still, those who understand that country music is an ever-changing genre that morphs into a variety of styles depending on the needs of the people and the innovation of the artists, must feel good as a broad range of artists currently dominate the radio airwaves and rule the concert circuit.

As the major record labels collapse, the radio stations strangle on their own automated programming and the formula music once again becomes stale we know it is the time when country music always rediscovers itself. Nashville will be a lot better as a result, all country artists will benefit, the public will reap the rewards of new and innovative country music and history will once again record that the American country sound once again became relevant in a time of need and a time of truth.
.

Field Set for 141st Kentucky Derby - Post Positions and Opening Odds

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The 141st Kentucky Derby post is set for 6:25 p.m. ET on Saturday under the famed twin spires of Churchill Downs in Louisville, Kentucky. Here is a full look at the draw positions.

PP	Horse	Jockey	Trainer	Odds
1	Ocho Ocho Ocho	Elvis Trujillo	Jim Cassidy	50/1
2	Carpe Diem	John Velazquez	Todd Pletcher	8/1
3	Materiality	Javier Castellano	Todd Pletcher	12/1
4	Tencendur	Manny Franco	George Weaver	30/1
5	Danzig Moon	Julien Leparoux	Mark Casse	30/1
6	MubTaaqhij	Christophe Soumillion	Mike de Kock	20/1
7	El Kabeir	Calvin Borel	John Terranova II	30/1
8	Dortmund	Martin Garcia	Bob Baffert	3/1
9	Bolo	Rafael Bejarano	Carla Gaines	30/1
10	Firing Line	Gary Stevens	Simon Callaghan	12/1
11	Stanford	Florent Geroux	Todd Pletcher	30/1
12	International Star	Miguel Mena	Mike Maker	20/1
13	Itsaknockout	Luis Saez	Todd Pletcher	30/1
14	Keen Ice	Kent Desormeaux	Dale Romans	50/1
15	Frosted	Joel Rosario	Kiaran McLaughlin	15/1
16	War Story	Joe Talamo	Tom Amoss	50/1
17	Mr. Z	Ramon Vazquez	D. Wayne Lukas	50/1
18	American Pharoah	Victor Espinoza	Bob Baffert	5/2
19	Upstart	Jose Ortiz	Rick Violette Jr.	15/1
20	Far Right	Mike Smith	Ron Moquett	30/1

With a deep field for the 2015 Kentucky Derby, the always-important post draw was of even more importance this year. Posts five through eight are historically home to the most Derby winners, while all the jockeys and trainers hope to avoid the dreaded No. 1 gate. The two favorites in the race -- American Pharoah and Dortmund -- were both able to do that. Dortmund will start from the No. 8 post while American Pharoah will start from the No. 18 post.

The draw might most important to American Pharoah and Dortmund, a pair of 3-year-olds guided by trainer Bob Baffert. Sired by 2008 Kentucky Derby and Triple Crown contender Big Brown, 

Dortmund has won all six races he's entered, including the Grade I Santa Anita Derby earlier this month. American Pharoah, sired by 2009 Kentucky Derby second-place finisher Pioneer of The Nile, has won four times, including at the Grade I Arkansas Stakes on April 11. American Pharoah will have a challenge starting near the outside, but could have received a worse draw by getting stuck on the rail. Dortmund, meanwhile, received an excellent draw with the No. 8 post, which is historically a strong starting post.

Others to keep a watch on include Materiality, winner of the Grade I Florida Derby and trained by Todd Pletcher; Carpe Diem, winner of the Grade I Blue Grass Stakes; and Upstart, who finished second in the Florida Derby. Carpe Diem will start from the No. 2 post and will need a good start to avoid getting pinned inside.

The dreaded No. 1 post was the last to come off the board, with Ocho Ocho Ocho receiving the challenge..