Spirits in the Sky - The Day the Music Came Alive - Buddy Holly born September 7, 1936

If February 3, 1959 was the day the music died when Buddy Holly was killed in a plane crash in Iowa, then September 7, 1936 was when the music came alive at his birth.  What a decade preceded the birth of Buddy Holly, especially when it came to American icons.

Marilyn Monroe was born June 1, 1926, James Dean February 8, 1931, Elvis Presley January 8, 1935 and Buddy Holly September 7, 1936.  All would grow to dominate the entertainment industry and all would die way too early in life.  Their respective ages were Buddy Holly 23, James dean 24, Marilyn Monroe 36 and Elvis 42.

Buddy Holly was popular for all of two years while alive, 1957 - 1959 and during that time he created a remarkable body of work so extensive that new Buddy Holly albums were released until ten years after his death, in 1969.

Among entertainers citing Buddy Holly as a major influence on their careers were the Beatles, Elvis Costello, the Rolling Stones and Bob Dylan.  Rolling Stone magazine ranked Buddy number 13 on its list of the 100 greatest artists of all time.  He was one of few white entertainers to ever appear at the Apollo Theater in New York City performing shows August 16-22, 1957.

In perhaps an indication of his awareness that he had little time on Earth not only did he stockpile a wealth of recordings but he met his wife to be, Maria Elena Santiago in NYC and proposed on the first date, married her two months later, and died six months later.  She had just discovered she was pregnant and canceled touring with him.  Within 24 hours of hearing of his fatal plane crash on the news she had a miscarriage and lost their child.

Buddy, parents & Maria Elena

The following is an article written by Alan Hanson comparing the careers of Buddy Holly and Elvis Presley.

Buddy Holly and Elvis Presley Comparisons

by Alan Hanson

“Buddy Holly could have been a country singer, or pop crooner, could have and probably would have fitted his talent to whatever music was happening when he came along. It happened to be rock ’n ’roll. But it only fully became rock ’n’ roll the day Buddy Holly started singing it.” —Paul Williams in his book, “Rock ’n’ Roll: The 100 Best Singles”.

Elvis center Buddy far right

Paul Williams may have been over stating things a bit, but Buddy Holly certainly earned his currently accepted status as one of rock ’n’ roll’s founding fathers in the late fifties. In 1986, Buddy and Elvis Presley were both named charter members of the newly established Rock and Roll Hall of Fame. The two men had many other things in common. Both were born in the deep south and raised in poverty. Early contact with country music and rhythm and blues stimulated their youthful, creative musical spirits. There were obvious differences, as well. Buddy looked like the typical boy next door, while Elvis’s smoldering looks oozed sexiness. Holly was an accomplished guitar player and songwriter; Elvis was neither. On stage, Presley’s voice and energy were boundless, while Buddy depended more on instrumentation and his unique “hiccup” vocal style.

Elvis Presley was born on January 8, 1935, in Tupelo, Mississippi. Buddy Holly was born a year and a half later on September 7, 1936, in Lubbock, Texas. Coincidentally, the currently accepted definitive biographies of both men were published a year apart—Peter Guralnick’s Last Train to Memphis in 1994 and Ellis Amburn’s Buddy Holly: A Biography in 1995. Most of the following references to Holly’s life and career come from the Amburn volume.

• Family backgrounds were important

Growing up in the late and post-Depression years, both Buddy and Elvis were “mama’s boys,” due to weak father figures. According to Amburn, “The situation would have far-reaching consequences for Buddy, who would make the mistake of relying on stronger personalities who were not always trustworthy.” Elvis had the same weakness, but fortunately for him the man in whom he put his trust, Colonel Parker, brought Elvis incredible fame and wealth, while Buddy’s manager held him back and stole a fortune from him.

An advantage that the young Buddy had that Elvis lacked was a trusted sibling. The youngest of four children, Buddy found in his eldest brother, Larry, a confidant he would cling to for the rest of his life.

When his other brother, Travis, came home from the war in 1945, he taught Buddy how play the guitar. Around the same time, about 900 miles to the east, Elvis Presley received a guitar for his eleventh birthday and began learning how to play it with help from his uncle and church pastor. A natural affinity for the instrument allowed Buddy’s guitar playing to progress at a rate that amazed his family.

Hank Williams, Sr., was Buddy’s first musical idol. According to Amburn, though, when Buddy first heard Fats Domino sing on the radio, he saw his future. “It was as if the heavens had opened,” Amburn explained. “But it was more than just the music. From that moment on, Buddy identified closely with blacks.” Meanwhile, an adolescent Elvis was experiencing a similar epiphany in Memphis, to where his family had moved in 1948.

Although a year younger, Buddy Holly got started in professional music before Elvis. Around 1951, when Buddy was 15 years old, he started jamming with another Lubbock musician, Jack Neal. The two put together a country and western act and played live entertainment Saturday morning for youngsters at Lubbock movie theaters. In September 1953, “The Buddy and Jack Show” made its debut on KDAV radio. On November 10 that year, a station DJ recorded an acetate of the duo singing and playing. It was just a few months after Elvis had walked into Sam Phillips’s Memphis Recording Service to make an acetate of “My Happiness” and “That’s When Your Heartaches Begin.”

• Buddy the tortoise, Elvis the hare

As rock ’n’ roll became more prominent on the radio during Buddy’s senior year in high school, he and Jack began playing the new music at sock hops, store openings, and community shows. Meanwhile, things were happening much faster for Elvis in Memphis. By the time Buddy graduated from high school in 1955, Elvis already had four singles out on Sun Records and had worked the concert circuit across the south for a year and a half.

Everything changed for Buddy when Elvis came to Lubbock five different times in 1955. “What is certain beyond any doubt,” Amburn declared, “is that when Elvis Presley hit Lubbock in 1955, he transformed all the C&W pickers in Buddy’s circle into rockers. ‘Without Elvis,’ Buddy once said, ‘none of us could have made it.’ Though rock ’n’ roll had burst on the world of West Texas the previous year with Bill Haley’s ‘Shake, Rattle, and Roll,’ it was Elvis who whispered freedom into the ears of embattled Baptist boys like Buddy and unleashed a new generation of rockabillies.”

“Elvis changed Buddy,” singer Waylon Jennings, then another young West Texas musician, later told Elvis biographer Peter Guralnick. “It was the beginning of kids really starting to think for themselves, figuring things out, realizing things that they would never even have thought of before.”

Buddy’s brother Larry remembers when Elvis was late for one of his early 1955 appearances at Lubbock’s Fair Park Coliseum. “In Elvis’ absence, Buddy and his front band blew the roof off the coliseum, playing until Elvis came on,” Amburn reported. “Many people in the audience preferred Buddy to Elvis, Larry proudly recalled, although Buddy was still a beginner.”

Buddy Holly True Love Ways

On October 15, 1955, Elvis appeared at two venues in Lubbock. After finishing up at the coliseum, he gave another show at the Cotton Club, the city’s major dance hall. “We opened for Elvis,” recalled Sonny Curtis. “Bales of cotton were stacked around the stage to protect him from the audience. The most beautiful girls in Lubbock were trying to climb the bales to get at him. That’s what impressed us as much as his music. We’d been hillbillies but after the Cotton Club we were rockers like Elvis.”

• Buddy Holly knew Elvis “quite well”

The extent of Buddy’s personal relationship with Elvis in 1955 is unclear. “Buddy and Elvis got along pretty good,” Larry claimed. “When Elvis came to town, Buddy found him a girl. She was not anyone you’d find on this side of town.” As for Buddy, during his Australian tour in 1958, he told a DJ that he’d once known Elvis “quite well.”

Back in Lubbock in 1955, though, Elvis was clearly Buddy Holly’s idol. Buddy even made a leather guitar case for his J-45 that matched the one Elvis used to carry his Martin D-28. “I Forgot to Remember to Forget,” Elvis’s Sun record that topped Billboard’s C&W chart in late 1955, was Buddy’s favorite Presley song. Late in the year, Buddy and his band performed on "The Big D Jamboree," Dallas’s Saturday night country and western radio show. Sid King, another musician on the show that night, described Buddy as “virtually a carbon copy of Elvis.”

According to Amburn, in 1955 there was another Lubbock visitor who would play an important role in the careers of both Elvis Presley and Buddy Holly. Colonel Tom Parker came to town looking for a talent to manage. Amburn says that both Elvis and Buddy “intrigued” the Colonel, who decided to focus on Elvis. He thought enough of Buddy, though, to recommend him to Nashville talent agent Eddie Crandall.

That led to Buddy’s first big break in show business. When he and his band opened for Bill Haley and the Comets at Fair Park Coliseum in October 1955, Crandall was there to see Buddy. On December 2, Buddy signed an exclusive management contract with Crandall. That was less than two weeks after Elvis left Sun Records and signed a contract to record for RCA. Soon Crandall got Buddy a record deal with Decca.

As 1956 dawned, it looked like both singers’ dreams of fame and fortune were about to come true. Both Elvis and Buddy had January dates in Nashville for their first recording sessions for their new labels. While 1956 would turn out to be a spectacular breakout year for Elvis, for Buddy it was a year of failure and exploitation that would test his resolve to make it as a professional entertainer. In RCA’s Nashville studio on January 10, Elvis recorded “Heartbreak Hotel,” which would reach the top of Billboard’s pop chart in May, launching Presley’s fabulous run through the end of the decade. Meanwhile, Buddy’s Nashville Decca session on January 26 was a disaster that led to nowhere.

• Decca a little bit country, RCA a little bit rock ’n’ roll

Amburn explained how differing philosophies at RCA and Decca dictated totally different outcomes for the two young singers. “In the growing conflict between C&W and rock ’n’ roll … country music would be split down the middle, RCA and at least half of the C&W establishment fleeing to rockabilly … and the other half remaining straight country singers.” Some at RCA may have had their doubts, but they allowed Presley to do his thing. “At Decca,” noted Amburn, “Buddy’s mentors would prove less amenable to the new music; in fact, they hated rock ’n’ roll.”

The result was that instead of viewing Buddy as a potential new rockabilly star, Decca tried to force him into the existing country music model. The result was predictable. After Buddy’s first single, “Blue Days, Black Nights” and “Love Me” was released on April 16, it sold only 19,000 copies. “It’s a wonder the world ever again heard of Buddy Holly,” Amburn noted. Buddy’s second release for Decca also failed miserably, and at year’s end the label declined to renew his contract. As 1957 dawned, Buddy was penniless, his career no further along than it had been 12 months before.

The one positive thing Buddy took from his failed year at Decca was some experience with songwriting. For his January 1956 Nashville session, the label asked Buddy to show up with four original songs. One of the songs Buddy wrote and recorded for Decca, “That’ll Be the Day,” came off poorly and was never released by the label.

In January 1957, without a manager, a band, or a recording contract, Buddy returned to Lubbock and considered quitting the music business. Deciding to give it one more try, he formed another band and drove ninety miles northwest of Lubbock to record at Norman Petty’s recording studio in Clovis, New Mexico. There, on February 24, 1957, Holly’s life changed when he recorded a rocking version of “That’ll Be the Day.”

Petty took the acetate to Nashville and got Buddy a one-record contract on the Brunswick label. Amburn called Brunswick, “a kind of trash-basket label in which Decca dumped its undesirables.” “That’ll Be the Day” by the Crickets, the name of Buddy’s new band, was released nationally on May 27, 1957. It spent 22 weeks on Billboard’s Top 100 pop chart, peaking at #3. It reached that same number on Cash Box magazine’s list of “Best Selling Singles.” Buddy Holly had finally hit the big time.

• Buddy Holly's career took off in ’57

He had a lot of catching up to do, however. By the time “That’ll Be the Day” became Buddy’s first hit record, Elvis already had five #1 singles and eight gold records. Holly had two more of his own compositions lined up to follow his first hit—“Peggy Sue” and “Oh Boy,” both recorded at Clovis in July 1957. Both charted in the top 10 late in the year.

Suddenly, Buddy Holly was in great demand. With the Crickets, he appeared three times on American Bandstand and twice on The Ed Sullivan Show. At Christmas time in 1957 Buddy co-starred with Fats Domino, Jerry Lee Lewis, and the Everly Brothers on Holiday of Stars Twelve Days of Christmas Show in Times Square. As the new year began, Buddy Holly found himself Decca’s top recording artist.

Like Elvis had in 1956, Buddy Holly spent much of 1957 and 1958 on the road. Unlike Elvis, though, who headlined his own tours, tightly controlled by Colonel Parker, Buddy’s only option was to join the great rock ’n’ roll package tours, organized by promoters like Alan Freed and Dick Clark. “Planned and mounted like military campaigns, these all-star caravans swept across the country in buses,” Amburn explained, “playing as many as 70 cities in 80 nights.” Buddy toured the nation and Canada with other rock stars, such as Frankie Lymon, Gene Vincent, Paul Anka, Jerry Lee Lewis, Eddie Cochran, The Everly Brothers, Connie Francis, The Drifters, Chuck Berry, Buddy Knox, and Danny and the Juniors.

Although Buddy never met Elvis again after their 1955 encounters in Lubbock, their paths almost crossed again in Vancouver, B.C., in the fall of 1957, when both were out on tour. Elvis was there on August 31 for his controversial show at Empire Stadium. Buddy came through eight weeks later with a package tour booked into the Georgia Auditorium. Hall of Fame DJ Red Robinson interviewed both stars prior to their shows. Buddy expressed a longing for a break in the grueling rock ’n’ roll grind. “Enervated from singing his guts out in nightly rock shows,” Amburn explained, “he longed for a radical change in musical trends, confessing that he’d rather sing songs that didn’t require him to scream and shout.”

Elvis and Buddy both recorded their rock ’n’ roll versions of some R & B classics, including “Good Rockin’ Tonight,” “Ready Teddy,” “Shake, Rattle, and Roll,” and “Rip It Up.” Although Elvis never recorded a Buddy Holly song, Buddy recorded one of Elvis's from the soundtrack of his 1957 film, Jailhouse Rock. According to Waylon Jennings, Buddy’s version of “(You’re So Square) I Don’t Care” is the best example of the “Buddy Holly sound.”

Buddy Holly - Oh Boy

The package tour format allowed Buddy to perform overseas, something Elvis often expressed a desire to do but never did. In January 1958, Buddy, along with Anka and Jerry Lee, flew out of New York for a tour in Australia. They stopped in Hawaii along the way, where Buddy performed a free show for military personnel at Schofield Barracks, the same venue where two months earlier Elvis had given his final concert of the 1950s. While in Australia, a DJ asked Buddy if Elvis was his favorite singer. “I guess he’s one of them,” Buddy responded. Soon after returning from Australia, Buddy and the Crickets left for England, arriving on March 1, 1958, for a twenty-five-day British tour.

• Rock ’n’ roll’s first wave played itself out

While Buddy was still in abroad, cracks were beginning to appear in his career and in rock ’n’ roll music in general. Buddy’s record sales began to decline. His single releases of “Maybe Baby” and “Rave On,” both considered early rock classics today, stalled at #18 and #37 respectively on the Top 100. “It’s So Easy,” another Holly classic, didn’t chart at all in 1958. Neither of Buddy’s albums reached the Top 40 on Billboard’s album chart. When Alan Freed’s forty-four-day “Big Beat” package tour, which included Buddy, ended with a riot in Boston, it galvanized the societal enemies of rock ’n’ roll to mount an all out war against it. Elvis was taken away by the army, and Jerry Lee Lewis’s career never recovered after it was revealed he had married his 14-year-old cousin.

The only good news for Buddy Holly in the latter half of 1958 was his marriage to Maria Elena Santiago in August. That fall, however, Buddy and his wife left Lubbock and moved to New York City. Buddy had fired his manager, but it was too late. Much of the money he had earned through record royalties and touring was gone, spent or tied up by the man Buddy had trusted to handle his financial affairs. (Reading Ellis Amburn’s account of how Norman Petty mismanaged Buddy Holly’s career should make all Elvis fans say, “Thank God for Colonel Parker.”)

In early 1959, Buddy Holly, with a pregnant wife and living off the generosity of his wife’s aunt, did something he didn’t want to do—he signed on for still another all-star package tour. The “Winter Dance Party” was to be a twenty-four-day meander across the upper Midwest in a converted school bus in the dead of winter. His death at age 22 in an iowa cornfield plane crash on February 3, 1959, abruptly ended the brief yet brilliant career of Buddy Holly.

According to Peter Guralnick and Ernst Jorgensen in their book, Elvis: Day by Day, Elvis learned of Holly’s death at his army posting in Germany on February 5. The authors state that Colonel Parker’s assistant, Tom Diskin, sent a telegram of condolences to Holly’s family on Elvis’s behalf.

• Death brought fame to Buddy Holly

Recognition as one of rock ’n’ roll’s pioneers, denied him in life, came to Buddy in many forms in death. In addition to being charter members of the Rock and Roll Hall of Fame, both Holly’s and Presley’s images appeared on U.S. Postal stamps in 1993. Buddy had five entries—“That’ll Be the Day,” “Not Fade Away,” “Rave On,” “Peggy Sue,” and “Everyday”—on Rolling Stone’s list of the 500 Greatest Songs of All Time. (Elvis had 11 on the list.) “That’ll Be the Day” and “Peggy Sue” are on the Rock and Roll Hall of Fame’s list of songs that shaped rock ’n’ roll.

No Graceland exists for Buddy Holly pilgrims. His birthplace in Lubbock was demolished years ago, and in the 1990s, his family sold off their Buddy Holly keepsakes and memorabilia. In Lubbock there is the Buddy Holly Center, inside of which is The Buddy Holly Gallery, a permanent display featuring, according to the center’s web site, “Artifacts owned by the City of Lubbock, as well as other items that are on loan.” Included in the display are “Buddy Holly’s Fender Stratocaster, a songbook used by Holly and the Crickets, clothing, photographs, recording contracts, tour itineraries, Holly’s glasses, homework assignments, and report cards.”

Like Elvis’s fans, the Buddy Holly faithful honor their rock idol by gathering each year on the anniversary of his death. Starting in February 1979, on the twentieth anniversary of his death, the Surf Ballroom in Clear Lake, Iowa, where Buddy gave his final show on February 2, 1959, has hosted an annual Buddy Holly tribute weekend. The 2013 event is being expanded to four days to accommodate the ever-increasing number of rock ’n’ roll fans who attend. It’s not quite the same as the candle-light vigil at Graceland during Elvis Week, but those who are moved to do so can trek through the snow to a nearby cornfield where a marker memorializes the lonely spot where “the music died” back in 1959. | Alan Hanson (October 2012)

By Alan Hanson - The Elvis History Blog 

Elvis on The Ed Sullivan Show - The Real Story about his "primitive physical movement that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos" - September 9, 1956

On September 9, 1956 Elvis Presley made his national television debut on the Ed Sullivan Show before a record 72 million people.  Here is the Man and the real story.



 The Real Story - Elvis on Ed Sullivan Show September 9, 1956

by Christine Gibson, former editor at American Heritage magazine.

Given that many fans think Elvis is still alive despite his death certificate, highly publicized funeral, and gravestone, it’s no surprise that misunderstandings abound about his career. Among those events surrounded by fallacies—perhaps because it strongly affected popular culture as well as Elvis’s work—is his legendary first appearance on the Ed Sullivan Show, 49 years ago today, on September 9, 1956.

Books and periodicals mentioning the show, which broke ratings records for the young medium and was one of the first to bring rock ’n’ roll to a mass audience, have erroneously reported that Elvis was shown only from the waist up, a triumph of censorship and evidence of the continued prudery of the 1950s. Others, aware of the hoopla surrounding the program, remember it as Elvis’s first performance on TV. The truth, as usual, is a little more complicated—and more interesting.

Presley, who had released his first three number-one hits by the time of the show, was already a TV veteran. He had appeared six times on the Dorsey brothers’ Stage Show between January and March 1956 and then on The Milton Berle Show on April 3, to increasing, if not yet fevered, press attention. But after his second Berle show, on June 5, members of the press expressed sudden revulsion at what the New York Journal-American called his “primitive physical movement difficult to describe in terms suitable to a family newspaper.” The New York Daily News reported that Elvis “gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos,” while the San Francisco Chronicle deemed it “in appalling taste.”

The reaction was enough to make Steve Allen, who had booked Elvis for his show before the backlash, briefly consider reneging, but in the end, Elvis did appear on his show on July 1, although in strangely tame form. Allen, going comically overboard to avoid scandal, dressed him in top hat, tails, and white gloves. Elvis soldiered on gamely, singing “Hound Dog” to a top-hat and bow-tie-clad basset hound.

Sullivan, never a fan of controversy, had already refused an offer to hire Elvis for $5,000. The famously prickly host had been burned before by rock ’n’ roll stars: He vowed to drum Bo Diddley out of television after his 1955 act on the show, when he sang his own hit “Bo Diddley” instead of Sullivan’s request, Tennessee Ernie Ford’s “Sixteen Tons.” But Elvis’s ratings—his stint on the Allen show had trounced Sullivan—changed his mind. Even as he professed to the press that Elvis was “not my cup of tea,” Ed Sullivan had already begun negotiations with Elvis’s agent, Colonel Tom Parker. His hesitation cost him heavily, however. He would end up agreeing to shell out $50,000 for three appearances, an unprecedented sum.

Elvis made his Sullivan debut on the show’s season premiere, but on the big night neither Sullivan nor Elvis was in the New York studio. Elvis was in Hollywood, filming his first movie, and he sang from the CBS studio there. Sullivan was recovering from an August head-on car collision, and Charles Laughton, the star of Mutiny on the Bounty, filled in for the host, hailing his guest by saying, “Away to Hollywood to meet Elvis Presley.”

Elvis, wearing a loud plaid jacket, greeted the audience from a set decorated with stylized guitar shapes. He announced that the show was “probably the greatest honor I have ever had in my life,” and then launched into “Don’t Be Cruel.” The camera stayed above his waist for now, sometimes closing in on his face, sometimes turning to show his backup singers, but something Elvis was doing out of lens range was causing unexplained screams from the audience. After the number was over, he acknowledged the vocal segment of the crowd, saying, “Thank you, ladies.” To finish the first segment, he played the title song to his new movie, “Love Me Tender,” introducing it as ”completely different from anything we’ve ever done.” Nationwide, disk jockeys taped the performance and played the song, which had yet to be released, on their radio shows, increasing pre-release orders to almost a million and pushing forward the single’s release date.

Viewers got to see the full Elvis—legs, hips, and all—during the second segment, when he performed the up-tempo Little Richard song “Ready Teddy” and two verses of “Hound Dog.” Young rock fans today would doubtless have a hard time understanding what all the scandal was about, as his frenetic swivels and shuffles look chaste compared to the gyrations common on MTV. But Elvis on that night (and his rock star peers in general around the same time) arguably set in motion a trend that continues today.

The press was quick to note that the cameras switched to close-up shots whenever he started dancing, in effect censoring him, but the TV audience got to see plenty, and besides, the girls screamed when he grunted, moved his tongue, crossed his eyes, or even stood perfectly still. With Elvis, censorship began to seem irrelevant. As Laughton noted at the end of the hour, ”Well, what did someone say? Music hath charms to soothe the savage breast?”

The viewing audience certainly wasn’t so offended that it changed the channel. The September 9 Sullivan show reached 82.6 percent of the TV audience, and Steve Allen hadn’t even seen fit to offer an alternative; NBC had showed a movie instead. Censorship did enjoy one last gasp during Elvis’s third appearance, on January 6, 1957, when Sullivan—or, as some historians believe, a publicity-hungry Parker—did indeed instruct the camera operator to show him only from the waist up, even when he sang the gospel tune “Peace in the Valley.” It was the last song he would ever perform on the show. Parker was now demanding $300,000 for future TV engagements, stipulating that a network must also commit to two guest spots and an hour-long special.

Even as he priced his client out of its range, Parker credited the program with the success of “Love Me Tender” and earning Elvis the esteem of American adults for the first time. Historians assert that Elvis’s three nights on the Sullivan show helped bridge the gap between the first rock ’n’ roll generation and their parents. Whether at the same time his behavior on those shows ultimately caused today’s generation gap—that is, whether MTV’s rump-shakers should look to Elvis as their earliest role model and parents can blame him for Britney Spears—is still up for debate.
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CPT Spirits in the Sky - Elvis Presley - The King of Rock and Roll - January 8, 1935 - August 16, 1977

Elvis Aaron Presley

January 8, 1935 - August 16, 1977

August 16 is the 40th anniversary of the death of Elvis Presley, husband of Priscilla Presley, father of Lisa Marie Presley and one time father-in-law to Michael Jackson. As I have written before, four decades after his death Elvis continues to make far more money than he ever did during his 42 years of life, topping $55 million in 2015.


In his early years the only way we could hear Elvis records in the Bible belt was when friends in the military were stationed in the south and would bring back Elvis recordings. Over time I got to see him twice in concert including during his last tour in 1977. It was June 19 in Omaha, Nebraska and RCA was recording the concert for a new Elvis project. One week later, June 26, he performed his last concert in Indianapolis and died three weeks later.


This much I can tell you. His voice was as powerful as ever that June in 1977 though he appeared to be physically exhausted. There was a certain melancholy in his voice as if he wanted one last time to give his fans what they expected. When he performed his ballets and gospel songs like My Way and The Impossible Dream there was not a dry eye in the auditorium.

Presley almost single-handedly created the genre of rockabilly and rock and roll and he was the first white person to merge the Black blues and gospel with country rock. In 1973 Elvis performed the first global concert via satellite and 1.5 billion people tuned in making it the most watched broadcast by an individual entertainer in history, including to this day.

Jailhouse Rock
Double click for full screen

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The dance sequence from his movie Jailhouse Rock has been considered one of the best motion picture dance sequences ever recorded which he choreographed himself and I hope you will take a look at the number on the YouTube video I added. This is the Elvis we will always remember, the shy kid from Tupelo, Mississippi who grew up to become King of the world.

Here are some other facts about the King of Rock and Roll.

Elvis Aaron Presley was born in Tupelo, Mississippi on January 8, 1935. He married Priscilla Beaulieu in 1967 after a long courtship. Lisa Marie is their only child, and she was born in 1968. Elvis and Priscilla divorced in 1973 and he never married again. Presley died on August 16, 1977 in Memphis, Tennessee at Graceland. He was 42-years-old at the time of his death.

The total net worth of the Elvis Presley estate is reported to be approximately $300 million. The singer rose to fame in 1954 after signing a deal with Sun Records. The recording company sold Elvis’ contract to RCA in 1955, and he began recording for them in 1956. RCA paid $5.4 million for the contract and Elvis and the Colonel split the money. His most popular recordings include Jailhouse Rock, Heartbreak Hotel and Don’t be Cruel. Estimates for his record sales are over the one billion mark.

Thousands of people still visit the home every year to see where the “King” lived. Special celebrations help draw even larger crowds, such as the 60 Years of Rock ‘n’ Roll celebration that is being held at Graceland. It is only appropriate considering Elvis is credited with starting the rock and roll era.

Elvis 1956



Random Facts:

So you thought you knew everything about “The King” huh? Here’s 11 random facts that will challenge that theory!

1. Elvis’ hair wasn’t even naturally black! He started dying it in high school. His natural hair color was actually a dirty blonde!

2. His breakout hit, Heartbreak Hotel, was inspired by a local suicide in 1956.

3. Elvis’ Mom bought him his first guitar at age 12 for his birthday. Elvis tried to convince his Mom to get him a rifle, but that wasn’t happening. She insisted a guitar would be a better option.

4. Elvis recorded over 600 songs! BUT, he didn’t write any of them!

5. When Elvis and Priscilla met, he was 24 and she was 14…. kind of creepy!

6. In Florida, Elvis was called a “Savage” and forbidden from shaking his body… So he waggled his finger in rebellion instead. Elvis you savage!

7. It took him 31 consecutive takes to record “Hound Dog.”

8. Elvis’ entourage was called the “Memphis Mafia” and were known for wearing gold and diamond rings with the letters “TCB” on them, which stands for “Taking Care of Businesses.”

9. He made 31 movies in his lifetime!

10. Elvis would let groups of “good looking girls” who waited at the gates of Graceland in to party late at night. The biggest group was said to be 152 women in one night!

11. Oddly enough, Elvis was related to Presidents Abraham Lincoln AND Jimmy Carter!
Do you know more facts about Elvis? Comment below!

How much is Elvis Presley’s Net Worth? $300 Million!

CPT Spirits in the Sky - Death - Such a Final Notion - But what if people hadn't died?

The mind is a marvelous thing of somewhat magical qualities because it has the ability to reject any principle like the laws of nature or laws of god and imagine a world without those laws.

You should try it some time.

For example, take the principle of death, what if death could be undone for people.  Then take some of the people who died way to early in life and just imagine what they could have done with a "normal" life span compared to what they did in a tragically shortened life.

Like Jesus for example.  Now JC turned everything in the world upside down for all time and he died at age 33 after preaching just 3 short years.  What if he stuck around preaching until he was 70 which is not all that old anymore?  Then he would have had 37 more years of preaching and imagine what impact that might have had on things.

There might never have been any question of him being the true Messiah and all those various sects and denominations of Christianity might never have existed, sects which led us into 2000 years of warfare, hatred and willingness to ignore the Ten Commandments although Jesus never said there were Ten, just one and then a second.

Singers and composers seem to be targets for early death.  Buddy Holly died at just 22, Hank Williams at 29, Patsy Cline - Jim Croce - Momma Cass Elliot all at 30, Karen Carpenter at 32,  Bob Marley at 36, Harry Chapin at 38, John Lennon at 40 and Elvis at 42.

Holly, Williams, Croce, Marley, Chapin and Lennon were among the greatest song writers of all time and were not even close to reaching their peak in terms of creative output.

Consider the enormous body of work all these gifted artists, singers and songwriters all, generated in their abbreviated lifetimes.  All of them should have lived 28-48 years longer if they lived a normal life meaning we lost out on more than 50% of their potential musical contributions to our history.

Then there is the strange 27 Club, those artists who died at the age of 27, and this includes a host of singers pushing the envelope like Jimi Hendrix, Janis Joplin, Jim Morrison, Brian Jones, Kurt Cobain and the most recent addition Amy Winehouse.

How bizarre is that?  Not a single one died of anything remotely connected to "normal" circumstances.  Some people even speculate they might have subconsciously or even consciously died when they reached that age.  Drugs, booze and prescription drugs all played a role in the deaths.

Let's change fields of entertainment and take movies for example.  James Dean died at 24, when he was just getting started while Marilyn Monroe died at 36, at the peak of her popularity and Natalie Wood died at 43.  Even though Natalie spent her entire life in movies she was just reaching new fans and rebuilding her image.

So how did they die?  A car wreck, drug overdose (or murder), and drowning, again no natural causes and we were all cheated out of an entire body of work.

Of course in politics there was Bobby Kennedy at 43 and John Kennedy at 46 who along with their friend Martin Luther King, Jr. at 39 all were taken at the beginning of their contributions to America.

And let us never forget the enchanting fairy tale story line of Diana, Princess of Wales, dead at age 36, because of her contributions to the future of royalty in terms of personality and legacy.

Is there a lesson?  Make sure when you are planning your life the way the insurance and finance companies want you to you take the time to enjoy the present as if it were the last days of your life because it just might be.

Actuarial tables suck!

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